War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Get Rich or Die Tryin' reminds me of the apocryphal Chinese curse 'may you live in interesting times'. The most interesting thing that has happened to Curtis '50 Cent' Jackson is that he has been shot nine times; accordingly, not only the character he plays, Marcus 'Young Caesar' Greer, but also a lot of other people get shot in this movie. Most of them survive, though, so even this turns out to be not so special after all. As for the second most interesting experience in Fifty’s life, this actually happened to someone else: 8 Mile, the vastly superior film starring Eminem and released three years prior. The problem is that 8 Mile is a story about humility, while GRoDT is about arrogance; the title alone exudes hubris, and the fact that it shares its title with a 50 Cent album makes us think that the inflated ego is not limited to the character, but it affects the star as well. Unlike Em, who didn't play himself but played someone very much like him in particular and a real human being in general, Marcus Greer is not so much a fictionalized version of Jackson as 50 Cent's idea of 50 Cent. Young Caesar is the larger-than-life figure that Curtis Jackson desperately wants to be, to the point that a modest 50 cents is not enough anymore; only a nickname that references arguably the most brilliant political and military mind history will suffice. This is unintentionally ironic because the protagonist is not the sharpest knife in the kitchen; for example, little Marcus's (Marc John Jefferies) mother is murdered, and the suspect is a "Rick James-looking motherfucker" (Leon, criminally underutilized), so Marcus keeps a photo of the Super Freak ever near him, because otherwise he would forget what her mother's alleged killer looks like? This is supposed to be a drama, a genre that the filmmaker, having directed My Left Foot and In the Name of the Father, should know very well; on the other hand, the director also wrote those films, so the blame for this inexplicable faux pas falls squarely on the scriptwriter. The hero's Dickensian childhood was a cliché that 8 Mile could afford to skip because the dysfunctional interaction between Em and Kim Basinger told us everything we needed to know about it without the need for flashbacks narrated in Fifty’s uninflected monotone. Then again, the soundtrack includes a song called “Window Shopper,” which means a mandatory shot of little Marcus staring forlornly through a window at the sneakers he can't afford, while a couple of extras taunt him. The director surrounds Jackson with strong supporting cast (Adewale Akinnuoye-Agbaje, Terrence Howard, the monolithic Bill Duke), but this is a double-edged sword; either they elevate Fifty to their level, or they completely overshadow him until he disappears, which is exactly what happens here. Now, if Jackson were any smarter or less selfish, he would have let Howard, still fresh from a similar role in Hustle & Flow, play the lead, instead of saddling him with the role of his trusty sidekick Bama. Nevertheless, Howard steals every scene he’s in (and has the best lines of dialogue; e.g., "Bama. Are you from Alabama?" "No, North Carolina." "Why do they call you Bama?” “I didn't want people to call me Lina”), including the best of them all: a revealing scuffle in a jail shower that preceded the Turkish bath fight in Eastern Promises by two years. The big difference is that Hustle &Flow is about a pimp who aspires to become a musician, while GRoDT is about a gangbanger who gets distracted too easily: “I had my own space and I could focus on my dream of being a rapper… After three hours, I quit my career as a rapper and went back to selling coke.” In other words, why make an effort when one is such a prodigy that, when imprisoned, the other inmates and even the guards know the lyrics to Young Caesar’s future chart-topping hits?
Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.
After Apollo Creed is killed by Ivan Drago in a match, Rocky Balboa becomes depressed and becomes determined to get revenge.
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
A member of Coast Guard Platoon 23, Private Kang monitors a high-infiltration stretch of beach lined with barbed-wire fencing. Driven by the belief that killing a spy is the highest honor, he waits for a chance to prove his worth.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Sophie Jacobs is going through the most difficult time of her life. Now, she just has to find out if it's real.
Attempting to recover from a recent family trauma by escaping into the woods for a peaceful hiking trip, an ex-lawman and his young son stumble across a dangerous contract killer.
Jack Carter is a small-time hood working in London. When word reaches him of his brother's death, he travels to Newcastle to attend the funeral. Refusing to accept the police report of suicide, Carter seeks out his brother’s friends and acquaintances to learn who murdered his sibling and why.
Freewheeling, motorcycle-riding musician Johnny rolls into a small town with his band, and meets Kathy, an honor student who catches his eye. Meanwhile, Kathy's father, after being in the Witness Protection Program, is finally tracked down by two corrupt cops he escaped from years ago, who want the money he owes them.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.