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It was made in '81 and is actually a pretty solid police film. It's not great, it's not Chinatown, but it also is pretty far from horrible. The dialogue is absolutely fantastic, and even in the throw away moments, there is a humor that seems very human. It's Hollywood sharp and witty to the point where it's almost too good to be realistic, it's just, human. There are a lot of little throw away conversations that seem like the kind of thing you'd hear in your everyday life. And that adds a nice touch of realism to what is otherwise a cop film, and those are always pretty unrealistic. The sound track is a little dated, a little 70s Adult film in places, but that was just a trope of the era and even great films like Three Days of the Condor had that 70s had that "I expect John Holmes to walk in any minute now" kind of music... but then it also had the cliche 80s sex scene instrumentals. So it feels like the merging of two eras and, audioly, it can't really decide if it wants to be 70s or 80s. And then it has crooning that seems like it fits better in a Sean Connery era 007 film. I guess what I'm saying is that, if there is a flaw, it's the sound track. Essentially what it is though is a solid cop film that is bucking for 1970s gritty and realistic, but is still, ultimately, as over the top and unrealistic as most police thrillers. It's a very enjoyable film to watch.... despite the music.
A man who loves games and theater invites his wife's lover to meet him, setting up a battle of wits with potentially deadly results.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.