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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
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Horror fans really should thank Gus Van Sant for his experimental "copy exactly" approach to re-making the horror classic Psycho. Filmmakers have learned that just modernizing the original with a bigger budget takes no creativity and falls into tedium and redundancy which most horror fan's hate. Gus Van Sant's Psycho remake, where nearly every scene is "copied exactly," is a perfect example of this. It was simply BORING. Even for those that never saw this first, the pacing is just too slow for the high-octane generations of the 90's and beyond. For a re-make to resonate with an audience that knows the original by heart, it has to deliver a new and different version while staying within the bounds of the original framework. We should be thankful because no director will try this again. For the secret formula to successful horror re-makes, watch 2012's The Evil Dead, 2004's Dawn of the Dead or David Cronenberg's The Fly (1986).
A caring social worker stumbles upon a child's murder and experiences a nervous breakdown. Then, scary, crazy things start happening.
A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.
In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.
Warren Quimby manages a drugstore while trying to keep his volatile wife, Claire, happy. However, when Claire leaves him for a liquor store salesman, Warren can no longer bear it. He decides to assume a new identity in order to murder his wife's lover without leaving a trace. Along the way, his plans are complicated by an attractive neighbor, as well as a shocking discovery that opens up a new world of doubts and accusations.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
Things go horribly wrong when Catherine and Rebecca, two Catholic School girls, knock on the wrong door while selling Religious paraphernalia.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Izzy is raising her younger brother, Kevin, by herself. Their parents are deceased and her older brother, Rusty, is away in the Marines. When Izzy learns that her little brother is being bullied at school, she does what any unstable, psychopathic, homicidal sister would do.
Five friends arrive at a party, fully unaware that the special night is just a cover for an evening of torture and murder.
