Sexual Happiness

Video Nasty; once a term referring to films that were criticised for their violent content in the early 80s, now the name of an up-and-coming film production company in Sydney, Australia. Join us in this two-minute documentary where university student and founder of Video Nasty, Lachlan Wylie, speaks on his experiences since starting the company in May of 2022.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

Short subject on how fashion is created- not by the great couturiers, but on the street.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

The light and the noise stain the dark night.

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.

Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.

Ein Qiniya, a small Palestinian village in the West Bank, occupied since 1967. This is where Milena Desse is to make her own enquiries: how can one decipher remaining traces and reconstruct History? How can one shine a light, as they say, on such places? Determined to unfold the layers and work out the creases like so many clues about some buried history, the young director strives like an archaeologist, equipped with a magnifying glass and a camera.