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A documentary that reflects on people sickened by chemical dependency. The patients, admitted to the Casa de Eurípedes clinic, along with family members and staff, report on their experiences, existence and challenges during the rehabilitation process.
This film is a poetic exploration of the human spirit, resilience, and the transformative power of art in the face of unimaginable trauma.
Brian Bolland’s artwork is instantly recognizable to comic book enthusiasts all over the world. Known for his amazing cover art, it was a rare inclusion into the body of a graphic novel, Batman: The Killing Joke, that helped the perennial story of Batman and The Joker remain a fan favorite for decades to come. Combined with the graphic novel’s original script – which is more than just the telling of a story, but an intricate map explaining every stop along the way to the end of a fantastic journey – this documentary reveals the artistic process behind The Killing Joke’s distinct style. We’ll learn how artists and writers excelled at conveying story and human emotion one panel at a time, mesmerizing readers with unforgettable stories and humanized depictions of heroes and villains. And why after nearly 30 years in print, Batman: The Killing Joke is more thought provoking than ever, as its socio-economic themes are relatable to generation after generation.
Every year, thousands of commercials are made that never reach our TV screens, deemed too shocking to see. In order to make it onto the screen, they must clear all manner of obstacles, from fussy clients to obsessive regulators and restrictive rights issues. X-Rated takes a look at these outlawed pieces of advertising, revealing the most explicit, controversial and shocking ads never seen. These are ads that break all manner of taboos, from sex, violence, blasphemy, homosexuality, animal cruelty, rapping pensioners, swearing children, suicidal toys and naked athletes to Kylie in her undies on a bucking bronco. Amongst the contributors are advertising executives, producers and censors. The programme also takes a look at the embarrassing world of western celebrities in Japanese ads.
Sir Ian McKellen and Richard Loncraine talking about making the film.
The Dardenne brothers discuss their early documentary films, their relationship with Armand Gatti (who inspired them to become filmmakers), the impact various political events had on their career and work and the shooting of When Leon M.s Boat Went Down the Meuse for the First Time.
In a quiet corner, far removed from big money, celebrity status and drug scandals lies the true value of sport. This is a film about friendship and purpose in masters athletics, a place where every five years, getting older means becoming the youngest. Younger follows a group of female athletes in their 60s, 70s and 80s over the course of a year as they prepare to compete in masters competitions. In these competitions, athletes compete in age groups that span five years, 60-64, 65-69 etc. When an athlete moves up an age group they are then the youngest, and this means they are more likely to win or break records. So, as they approach the top end of their classification, they look forward to being a year older and moving up to the next group where they will be the new kid on the block again.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.