Stankowskis Millionen

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

A light-hearted celebration of British sex films from the 1950s to the early 1980s. Presented by Angus Deayton, the programme includes interviews with movie veterans Robin Askwith and Pamela Green, as well as featuring clips from popular X-rated movies like “Come Play with Me” (1977).

A German girl travels to Israel to help people with disabilities, where she learns a lot about the role of her grandparents in WWII and meets a man who wants to move to Berlin.

A young man visits his parents in Norway with his pregnant Spanish wife. Expectations run high, but in the short ride from the airport, it becomes clear that this won't be the harmonious family occasion everyone hopes for.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.

An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.

An ad agency copywriter, ordered to push a new brand of beer to black ghetto kids, resigns from her job and goes searching for her racial identity.

It follows Bennett, a nonbinary new parent, who arrives late to their postpartum "Mamas Group" at a place called "Wüm" with 3-month-old daughter, Edie.