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There must be an easier way to get Hardy? Gunfight at Black Horse Canyon is directed by R. G. Springsteen and written by Frank Gruber and Anthony Lawrence. It stars Dale Robertson, Jack Ging, William Demarest, George Kennedy, Rod Cameron, Patricia Owens, Phillip Carey, Claude Akins and Mary Jane Saunders. Music is by Richard Shores and cinematography by Bud Thackery. I didn't know it prior to viewing this, but it's derived from the TV series "Tales of Wells Fargo" and is in fact two episodes – "The Dodger" and "Assignment in Gloribee" - stitched together to make a feature film. Upon finding out this fact it explains just why Gunfight at Black Horse Canyon is so uneven and bad. Everything about it screams out as being low budget fodder, the story line is weak, back screen projection is cheap and nasty and some usually reliable actors are reduced to auto-cue type acting. While characterisation is sparse, with some characters flitting in and out without rhyme or reason to anyone who didn't watch the show. Of course it may well be that fans of the show could find good value in this elongated venture? But for anyone else, as an advertisement appetiser? It hardly makes one yearn to seek out more of the show! For Kennedy's brief villainy and Akins reliability remaining intact, it just about escapes being bottom of the barrel, but it's mightily close to being just that. 3/10
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
A mysterious woman comes to compete in a quick-draw elimination tournament, in a town taken over by a notorious gunman.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
An orphaned young girl conjures an executed soldier back from the dead, and together they deliver hell in the Blackfoot territory of the late-1800s.
A man seeks revenge on the bigot who shot his wife to death in 1880s Texas.
The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for their mother's funeral, and discover that the family ranch is now in the hands of Morgan Hastings, the town's gunsmith.
A wild stallion provides unexpected help to a widow and her young son in their efforts to keep their ranch.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.
"Wild" Bill Elliott is a cowboy who goes in search of the man who killed his brother, and finds himself in the small town of Bitter Creek.