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Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Takizawa Bakin, a popular Edo period author, begins to recount a story he is planning in front of his friend, the artist Katsushika Hokusai. The story is about eight warriors who, each carrying a jewel, gather together as if guided by fate and embark on a harsh journey to fight the curse of the Satomi family. Hokusai is drawn into the story that Bakin is telling, and visits Bakin on various occasions to hear the rest of the story, and a strange relationship between the two begins. The serialization becomes Bakin's life's work, with the idea of "rewarding good and punishing evil in a world where evil is rampant," but after 28 years, as the story finally approaches its climax, Bakin begins to lose his sight. With the completion of the story in doubt, he receives an unexpected proposal from his daughter-in-law. Will the story ever be completed?
1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.
A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
Genjiro was a samurai in the past, but he became a Yakuza, a dandy with a tattoo of red peonies, he helps his younger brother who is caught up in a conflict with Hatamoto.
Oda Nobunaga (1534–1582) was a major daimyo during the Warring State period of Japanese history. He was the second son of Oda Nobuhide, a deputy military governor with land holdings in Owari province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582. Telling the story of his rise to prominence as he leads an army of 4,000 men against the 40,000 troops of Lord Imagawa Yoshimoto to prevent the arrogant daimyo from crushing the Oda clan and taking control of the entire nation. From a newly restored anamorpic widescreen print, this is the ultimate warlord movie.
Furuta Oribe is ordered to become tea master under Toyotomi Hideyoshi after his teacher Sen no Rikyū, the former tea master, was ordered to commit suicide. Princess Goh, daughter of the lord but adopted by Hideyoshi, is outraged when Rikyū's severed head is thrown in the Nijo River. She sends Usu, Oribe's servant, to retrieve the head and deliver it to Rikyū's adopted daughter.