Kreuz und quer

After starting a family of his very own in the United States, a gay filmmaker documents his loving, traditional Chinese family's process of acceptance.

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

Paul Bedel will be 75 soon. He's and old bachelor, a peasant, a fisherman and a verger. He lives in a farm from another time with his two sisters, also unmarried. This year, they will retire : « Our lives will be filled with emptiness ». Their territory is the Cape of la Hague. The air is bracing, the wind is unpredicable, the granit is rough, and the horizon without boundaries. In here, Paul resisted to modernity, keen to preserve and improve his link to nature.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.

Tom Tamar Pauer's family is both Israeli and German, Jewish and Christian. When she moves to Israel with her German children after 16 years in Munich, the question of her own identity in the third generation emerges.

A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.