Ma mère s’appelle Forêt

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

Surfer and author, Allan C. Weisbecker, accompanied by his dog Honey, goes on the road in search of waves to ride and "to find out what happened to America."

On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

A closer look at the underestimated role of women in the current Whisky industry in Scotland

Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.