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The Laramie Redemption. Arrow in the Dust is directed by Lesley Selander and adapted to screenplay by Don Martin from the L. L. Foreman novel. It stars Sterling Hayden, Coleen Gray, Keith Larson, Tom Tully and Tudour Owen. Music is by Marlin Skiles and Technicolor cinematography by Ells W. Carter. Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption... It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up. Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found? There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance. One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
Two men with questionable pasts, Glyn McLyntock and his friend Cole, lead a wagon-train load of homesteaders from Missouri to the Oregon territory...
Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.
Two young horse traders guide a Mormon wagon train to the San Juan Valley and encounter rugged terrain, the cutthroat Clegg gang, hospitable Navajo, and moral challenges on the journey.
Bill, who is about to lead a wagon train to California, has a map to a valuable gold field and Rocky is after the map. When Rocky and his men attack, Ken Manning breaks it up and later identifies Rocky and his men as the attackers. Expelled from the wagon train, they stampede a buffalo herd puting the Indians on the warpath. After the Indians attack the wagon train, Rocky thinks he can get the map.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
Sent by the Army, Andy Thomas poses as a renegade to find out who has been harassing the wagon trains.
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
Buck Roberts is leading a wagon train of railroad supplies and Jim Corkle and his henchman Loder are out to stop them by using white men dressed as Indians for the attacks.
In this western, a ranch foreman and the bosses son go to a saloon to slake their thirst and find themselves in the midst of a battle started by the feisty saloon owner's wicked ex-husband who loots the safe in the ensuing scuffle.