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The R-rated cut of SOLDIER BLUE (1970) contains 100 minutes of a G-rated romance, bookended by 15 minutes of graphic, blood-soaked atrocities. Director Ralph Nelson doesn't pull any punches; disfigurement, immolation, decapitation, and impalement (amongst other acts of barbarity) splash across the screen - often in Sam Peckinpah-style slow motion. These opening and closing scenes have power; the problem is the 100 minutes we have to spend with the one-dimensional survivors of the initial Indian assault. Candice Bergen and Peter Strauss are given generic, facile characters to interpret; one is naive, one is worldly (of course); one is prudish, the other permissive (surprise); they gradually develop feelings for one another (if you didn't see that coming...). Donald Pleasance eventually shows up for some much needed variety, but it's not enough. If you're a fan of violent western-style action, you'll enjoy some of this. If you're fond of budding romance pics, then the love story might engage you. Everyone else would probably be better served by watching LITTLE BIG MAN (1970) again.
**_Playful Western Romance sandwiched between two brutal massacres_** After a paymaster cavalry unit is slaughtered by the Cheyenne in 1877, a surviving soldier and Indian sympathizer team-up to get back to the nearest fort (Peter Strauss and Candice Bergen). The young man struggles with contempt for what he considers a treasonous attitude along with his growing affection for the brash woman. Then he sees the awful truth firsthand. "Soldier Blue" (1970) is an entertaining, but odd Western. At heart, it’s a fun romance between a patriotic military man and a profane “free-spirit” who is able to survive the challenges of the American wilderness precisely because she has shed Victorian inanities. This is bookended by a Cheyenne-led massacre on a non-threatening cavalry group and the military massacre of a peaceful Cheyenne camp, filled with women and children. The latter is obviously based on the Sand Creek Massacre of 1864. I respect that the movie shows how massacres happened on both sides, but it stacks the deck against the Caucasian militants by showing them butchering women & children and not vice versa. The opening Indian attack ensures that the viewer's sympathies are with Honus (Strauss, the eponymous ‘Soldier Blue’), so you travel the same journey as him: At first, regarding the Indians as bloodthirsty savages who have no qualms about committing mass murder and abusing corpses if it’ll help them acquire firearms but, ultimately, ending up with the revelation that Honus’ ‘tribe’ can be just as barbaric when fitting, and even more so. Barbaric attacks applied to both uncivilized First Americans and more civilized New Americans, but more so with the former, which is documented. Since the 1960s-70s there has been an overemphasis on the injustices committed by the US military or militants/settlers and we get a handful of examples: Wounded Knee, Bear River and Sand Creek (the latter being what this is loosely based on). Yet we never hear the other side of what provoked these events, including the atrocities that First Americans committed against New Americans. We never hear of the Dakota "War" of 1862 where Santee Sioux went on the warpath murdering between 600-800 settlers, which constituted the largest death toll inflicted upon American civilians by an enemy force until 9/11 (civilians, not soldiers); The Ward Massacre; The Nez Perce uprising, which killed dozens of settlers in Idaho and Wyoming; and the Massacre at Fort Mims. We never hear of the countless innocent settlers (not soldiers) who were murdered by bands of young "warriors": While a chief was signing a peace treaty on the tribe's behalf, they were out robbing, raping and murdering. In short, it's easy to be pro-AmerIndian sitting on the comfort of your sofa, but not so much when you & your loved ones are threatened with gross torture, rape and slaughter in the wilderness. The Euro-settlers wanted the land and resources while the AmerIndians craved the valuable technology of the New Americans. Both sides used treaties for peaceable relations while still trying to get what they desired when war was too costly. Both opted for combat when deemed necessary. I should add that the real military leader who ordered the attack on the Sand Creek camp in southeast colorado, John Chivington, wasn’t even an Army officer, but rather a self-appointed head of militia in the Colorado Territory during the Civil War when most capable men were away fighting for the Union in the East (remember, the real Sand Creek Massacre happened during the Civil War, not in 1877). The atrocity Chivington & his men committed at Sand Creek was separate from the US Army and not typical of government policy. In the immediate aftermath, Captain Silas Soule, an officer of the First Colorado Cavalry, condemned it as an unjust and savage massacre executed on a peaceful camp. I’m part Abenaki and love American Indian culture, but the Leftist whitewashing of Indian atrocities and the corresponding revisionist history is deceitful and unbalanced. "Soldier Blue" is guilty of this to a degree, but features enough balance to make it worthwhile (as opposed to the grossly dishonest “Tell Them Willie Boy Is Here” from 9-10 months earlier). It's entertaining and offers equilibrium concerning the Indian Wars even though its sympathies tend to be with the First Americans. The film runs 1 hour, 52 minutes, and was shot in Chihuahua and Sonora in northwest Mexico. GRADE: B
A teenager who's lived a sheltered life because she's allergic to everything, falls for the boy who moves in next door.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.