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From Executive Producer Sheila Houlahan, 'Night, Mother' is a hybrid Twitch film that interweaves pre-filmed segments with live-streamed performance. Reset amidst the COVID-19 pandemic, this new adaptation of the Pulitzer Prize-winning play explores the concentric circles of isolation, grief, and suicide. During a Zoom call, Jessie (Sheila Houlahan) confesses to her mother Thelma (Ellen McLain) that she plans to commit suicide within the hour. 'Night, Mother' portrays a poignant and haunting picture of the current state of mental health care in America.
A young peasant is forced to flee for killing involuntarily an abusive guard. After an entire year hiding in a remote fishing island, he decides to return to his countryside and reunite with his wife and daughters.
Bai Xiaoyu meets Wang Jinjin for the first time in the summer of 2010 during their college entrance exams. However, she slips through his fingers and they don’t see each other again until an unexpected meeting during college graduation season. The pair fall in love and date, but marriage seems impossible when they come from such different worlds. Bai Xiaoyu fears he will lose Jinjin once again like before.
Based on the myth of Icarus, in 1968, a boy attempts to pave a better future for himself by building rockets.
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Antonio Barracano is a respected man among the Neapolitan underworld, keeping order and administering justice according to his own criteria, beyond the law. One day he's faced with a dilemma after a young man asks him permission to kill his father.
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.