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On Cinema - (Feb 26th)
Chris Jansing Reports - (Feb 26th)
Piers Morgan Uncensored - (Feb 26th)
The Tucker Carlson Show - (Feb 26th)
Dancing with the Stars - (Feb 26th)
The Kelly Clarkson Show - (Feb 26th)
Allegiance - (Feb 26th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
Ishura - (Feb 26th)
Sort Your Life Out - (Feb 26th)
PopMaster TV - (Feb 26th)
Escape to the Country - (Feb 26th)
Lets Make a Deal - (Feb 26th)
The Price Is Right - (Feb 26th)
The Young and the Restless - (Feb 26th)
Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
The Dog House Australia - (Feb 26th)
After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Dumb documentary. Basically what they're saying that corporations want us to keep buying more things and they use marketing tricks. Of course they do. What kind of salesman wouldn't do it? Nothing new. It always been like this. They also say that we produce so much that we're destroying our planet and contribute to global warming. Of course humankind produces lots of stuff, because humans are a lot on our planet and again it's always been like this. There will be people who will buy how much they want and whenever they want, because people are free. So what's their solution? To dictate people how many things they can buy? Or stop producing and selling stuff? Or eliminate half of planet? Or what their solution?! And when they mentioned global warming, then it became very clear that this documentary was made by marxist leftists. **Bottom Line:** There always will be garbage on our planet as long as we humans exist and there always will be products to sell as long as humans exist and of course seller companies and salesmen will do their best to sell as much as possible, because it's what they do. Get used to those facts, dear marxists and move on.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.