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This is interesting, but dated. Back in 2003 the left was still anti-corporation, they didn't support the outsourcing of jobs, they didn't support the accountability that theses institutions had they were fairly unified in their condemnation of it. Today there is a clear shift and we aren't seeing that much of it, Nike hasn't changed their practices of out-sourcing and sweatshops and are now an iconic brand on one side of the divide. Outsourcing is now supported by the left where "the jobs aren't coming back, deal with it" is a commonly heard phrase there. It wasn't back in 2003. So, watching it in 2003 as opposed to 2018 it's interesting to see a lot of the same faces that once opposed it speaking on the news in favor of how the corporations work today. If memory serves, Noam Chomsky is the only political voice that hasn't made an abrupt shift or dialed it back in the decade plus since it's release. Despite the shift in some of the voices heard in the documentary, it does do an excellent job tracking the evolution of the corporation in the United States, how it started in our earliest days, straight through how it became an individual entity politically, and onto how that identity as a "person" effected our politics. And, at times, it was moving, given that it did treat people who work for corporations very well, even interviewing them so that they can express that, yes, they too had the same concerns as the people protesting them, but were bound by the law to pursue policies that would generate the most profit for their shareholders, which illustrates an interesting problem that is often ignored with discussing the topic. It remains educational today, even if there has been a distinct shift on how the topic and some of the corporations highlighted are handled by the people interviewed for the documentary.
Alexandra Pelosi travels through the United States interviewing and filming several evangelical pastors and congregations.
The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.
In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.
"Plastic Paradise" is an independent documentary film that chronicles Angela Sun's personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society's vast consumption of disposable plastic is doing to our oceans - and what it may be doing to our health.
Experience an inside look at David Bowie's incredible influence on music, art and culture via interviews with some of the people who knew him best.
A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.
A fascinating documentary focusing on backstage realities of art and business during the British synthesizer band's 1988 American tour.
A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
