Does Anyone Care What Anyone Says In Rock’n’Roll?

The tragic story of an American music virtuoso who found in 1970s Iran the love and acceptance he never received back home, and who was punished by his country upon his return after the Iranian revolution.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

The life of Anthony Kiedis, famed frontman of The Red Hot Chili Peppers, artist, addict, and ringleader, contains a deeply unconventional father and son story set against a substance-fueled 70s & 80s LA punk scene. This story examines, without judgement, how all of his experiences shaped the music that was eventually embraced by millions.

A document of Denton, TX emoviolence band bulletsbetweentongues recording their first LP "The Lights Never Lie."

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Billy Yeager is a musician, singer-songwriter, filmmaker, activist, humanitarian and an all around living breathing performance artist. He has written and recorded over 2600 songs, produced 6 films and been discovered many times by several well known artists, yet most of his works are extremely hard to find and are considered to be very valuable by serious collectors, but if it can't change the world, the artist wants no part of it. Turning his back on the music and film industries, Yeager retreats into the desert to make his films and create his music.

The Object Formerly Known as a Record, the Movie is a film portraying the Mexican Rock band Café Tacvba in the process of creating their latest album. The film could be described as an "Album Movie", combining the musical and philosophical ideas of the band members, beautifully rendered performances and a poetic visual-score that culminates in a truly intimate portrait of Café Tacvba's creative process.

Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.

To sum up the life and work of British artist Genesis Breyer P-Orridge is close to impossible. Not only because of the wide range of artistic disciplines, but also because of the timespan, since the mid 1960s to the present day, that has been saturated by hundreds of records, thousands of concerts, exhibitions, interviews, videos, spoken word performances, collages, sculptures, philosophy, cultural engineering, occultism and radical transgender concepts. A couple of descriptions are still valid after these 50 years of active creativity and provocation. P-Orridge is a romantic existentialist and a cultural engineer. Everything is both work as such and seed for cultural and behavioural change.