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This film is created out of composite characters, most notably Henry Fonda, as a Lt. Colonel in Intelligence and Robert Shaw, as a Panzer Brigade Commander supposedly just recalled from the Russian Front, where he was "losing the war there". According to the official account, the part Robert Shaw fictitiously portrayed wasn't the Colonel Hessler he was titled as, but; Joachim Peiper, and the following is from the official account; "The 6th Panzer Army included the elite of the Waffen-SS, including four Panzer divisions and five infantry divisions in three corps. SS-Obersturmbannführer Joachim Peiper led Kampfgruppe Peiper, consisting of 4,800 men and 600 vehicles, which was charged with leading the main effort. However, its newest and most powerful tank, the Tiger II heavy tank, consumed 3.8 litres (1 gal) of fuel to go 800 m (.5 mi), and the Germans had less than half the fuel they needed to reach Antwerp." The film was built around the German strategic objective being beyond their reach in fuel and other vital strategic materials. Why did they use fictitious characters where the real ones would have done even better? Less than 20 years after the war and the events makes the responsibility of depicting real historic and often heroic or infamous personalities a tall order for the mainstream cinema. One must remember that this was a commercial production, not an historic account. The famous and catchy song, sung in the movie as a theme of the Panzer Corp., in German, "Panzerlied", was written for the movie. It can be found on "You Tube" and is apparently both catchy and popular--- it also didn't happen that way. Still, to be fair, when we first got a Video player, around 1981, the first movie I watched was "The Battle of The Bulge", despite all its historical inaccuracies, because its entertaining and I'm sorry it has to end. In reality, it was more unpleasant than depicted and the Hollywood movie starring Van Johnson from around 1948, titled, "Battleground" presents a better reenactment, though also fictionalized and from the standpoint of 1 small allied unit rather than the broader scope depicted in "The Battle of the Bulge". This is an excellent, high budget film with good actors, and acting that shows both sides, and attempts to demonstrate what the "Battle of the Bulge" was actually about. It does this well, from a Hollywood standpoint, though films such as "Patton" were made a few years later using the real characters, and based on reliable source materials with somewhat less fictionalization.
***Nazi Germany’s last gasp*** “Battle of the Bulge” (1965) depicts the last major German offensive on the Western Front from December 16 – January 25, 1944-1945. The action takes place at the intersection of Belgium, Germany, France and Luxembourg. American forces were thoroughly surprised by the German attack on the morning of December 16th and took the highest casualties of any operation during WW2. There are glaring inaccuracies, most notably the absence of Tiger and Sherman tanks, substituted by the US M47 Patton and M24 Chaffee. But the filmmakers had to use what was available to them in Spain in the non-CGI era of 1964. Speaking of the Spanish locations, some battle scenes were shot in flat, bare territory whereas the real locations, the Ardennes, were/are mountainous and forested. Thankfully, there are some sylvan sequences, as well as snowy ones, just not as much snow as in the real battle. Critics also lambaste the film story-wise, but the filmmakers had to condense a 40-day battle into less than three hours and make it understandable and dramatic for the audience. The film gets the gist right and includes real-life pieces, like the infamous Malmedy Massacre. It also inspires interest in the subject to look up the real history. Another highlight is the great cast with Robert Shaw outstanding as Colonel Hessler. Also featured are the likes of Henry Fonda, Robert Ryan, Charles Bronson, Telly Savalas, George Montgomery, James MacArthur and so on. The movie runs 2 hours, 47 minutes and was shot in Spain (Sierra de Guadarrama mountain range and Madrid). GRADE: B/B-
It's far too long this, but otherwise isn't an half-bad wartime adventure that shows off Robert Shaw's ability to play a baddie with aplomb. He's "Col. Hessler", the commander of a Panzer tank division at a crucial stage towards the end of the war. With the Allies pressing every advantage, he must follow his faintly ridiculous orders and counter-attack - aiming to regain the port of Antwerp - against the well armed troops of "Gen. Grey" (Robert Ryan) who is being aided by his shrewd eye-in-the-sky "Col. Kiley" (Henry Fonda). This gent is very suspicious of the way the Nazis seem to have gone quiet. He knows they still have a formidable arsenal, and that one false step could see them becoming the target. "Hessler" has one vulnerability, though, and this is fuel. His tanks are superior and he has an element of surprise, but he must find petrol and "Kiley" knows this. The cat and mouse game that ensues is well enough directed by Ken Annekin, and includes a formidable array of Hollywood A-listers to help it along. He also tries to develop a story with a little more politics to it. The duplicity and mistrust that surrounds "Hessler" and his long-suffering "Conrad" (Hans Christian Blech) illustrating that the concept of blind loyalty - even pride - was still alive and well, even in those who ought to have realised better. It's not meant to be an history, just a solid story of battles, tanks and oil drums and it is slow to get going, but the last hour do redeem it enough to make it watchable. Just maybe not too often.
A lyrical fourfold perspective on WWII through the eyes of a young partisan couple, a town photographer and a German officer.
Set in German-occupied Norway, resistance fighter Knut Straud enlists the reluctant physicist Rolf Pedersen in an effort to destroy the German heavy water production plant in rural Telemark.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
Biographical account of America's President for the latter part of WWII. Shows Truman's rise from small-town nobody to leader of the USA, his decision to use the Atomic Bomb against Japan, and subsequent election as the US' post-war President.
At the start of World War II, Cmdr. Ericson is assigned to convoy escort HMS Compass Rose with inexperienced officers and men just out of training. The winter seas make life miserable enough, but the men must also harden themselves to rescuing survivors of U-Boat attacks, while seldom able to strike back. Traumatic events afloat and ashore create a warm bond between the skipper and his first officer
An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.
The stories of several young women who work in a 'precision optical instruments' factory during the second World War. Despite illness, injury, and tremendous personal hardship, the women persevere in their tasks, devoted to their work and their country's cause.
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
A small band of misfit American commandos are assigned to head across the North African desert to blow up a huge German fuel depot.
Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.
Lieutenant Braden discovers that Sally, the woman he's been falling in love with, has actually been checking out his qualifications to be a U.S. Navy frogman. He must put his personal life behind him after being assigned to be smuggled into a Japanese-held island via submarine to photograph radio codes.