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**A film about idealisms, utopias and harsh realities, which could be much better than it is, but is still good enough to be worth it.** There are many movies about romance and love in times of war. John Duigan gives us a film about love, but also about hopes for the future, utopias and the way war and human cruelty end it all in an instant. That old story of idealism versus reality. The film is good, but as a drama it is a little inconsistent and does not work from a romantic point of view. The script begins with the unusual meeting between a young Irish student named Guy and a beautiful and liberal French heiress, Gilda Bessé. They have an affair that, years later, they will resume in Paris, including the young Spanish Mia. The ménage-a-trois ends up when Guy and Mia go to Spain to help the republicans in the Civil War. The defeat in the war and the German invasion of France will later condemn Gilda to a difficult survival, as the lover of an officer of the invading troops... and I really don't want to say more because it would spoil the pleasure of watching the film. As I said, the movie is good, and it has a good story. The problem is that there's a lot here, and there are several sub-plots that come out of nowhere and end up not resulting in anything: it's the case of the tense relationship between Gilda and her rich father, or what happens to Mia's brother. Very little consistency and dramatic solidity, in a script that seems fragile at various times. I'm even willing to forgive that... but it's hard to ignore the way the film confuses love with sexual horniness. Gilda Bessé seems to be anything but a romantic or passionate young woman, and the relationship between her and her partners is very sexual, but not exactly rosy. Despite having a pretty good cast, there are only three actors who really deserve a note and highlight. Penélope Cruz is quite believable in her character, but the director doesn't give her anything that really allows the actress to do something really memorable. Her character is cold, a little shy, and the actress has the ability to impress us more. Stuart Townsend does what he can in his character, but he's not "nerdy" enough for the character he's been given. He's elegant, he's handsome, but that's about it. He's not even an actor who seems capable of combining beauty and intellect in the same character. This makes me think that he was only cast in the film because he is the husband of the remarkable Charlize Theron who, in fact, is the soul of the film and gives us an extraordinary performance, where beauty, sexuality, drama and suffering are perfectly matched. Technically, it's a restrained film, standard Hollywood at the time. There are some aspects that were very well-used, such as the original footage of the war, in black and white, and the way in which the sets and costumes were designed and recreated, managing to show the passage of years and the evolution of the characters very well. The soundtrack, however, could be better, while the cinematography seems a little disconnected from the rest of the work.
Adam and Marklin’s 5-year relationship has gone from a passionate flame to a simmer, forcing them to reconcile with each other’s shortcomings while their friends endlessly search for love in New York City.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Llaso, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.