Man on Wire

Filmmaker Hare Brasil follows painter, public speaker and street artist Eduardo Marinho as they hit the road aboard Celestina, a worn-down and faulty Volkswagen van, for a trip across Brazil and Uruguay, where Marinho is set to give a lecture at a local University. They cross over 5000 kilometers and stop by numerous cities following an everything goes approach, with Marinho selling his work, talking to people and sharing his thoughts on life, society and everything else.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.

The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Born out of the ashes of Big Star, arguably the greatest cult band of all time, Memphis local Van Duren joined forces with ex-members Chris Bell & Jody Stephens to form a band and become regulars on the 70s Memphis bar circuit. In little time they got the attention of Rolling Stones manager Andrew Loog Oldham, who then started managing Van Duren. Van was tipped to be the next Paul McCartney but instead faded into obscurity. Forty years later, two friends from Australia (a band manager and musician) chance upon the mysterious musician’s lost album. They fall hopelessly in love with the music and set out to discover why Van Duren isn’t a household name.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.