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Doc Rock and the playboy redemption. Magnificent Obsession is adapted from a novel by Lloyd C Douglas, and it had been previously filmed back in 1935 with Irene Dunne and Robert Taylor in the leads. Here the piece is directed by melodrama maestro Douglas Sirk and features Jane Wyman and Rock Hudson as the emotionally charged leads. The story revolves around Bob Merrick (Hudson), a playboy who is inadvertently responsible for the death of Helen Phillips' (Wyman) husband. As he starts to find a soul in amongst his playboy image, he desperately wants to make peace with Helen, but during his efforts to apologise she is tragically blinded in an accident. As Helen recuperates, Bob worms his way into Helen's life by posing as someone else, they amazingly start to fall in love, but the truth will out and tragedy seems to permanently hover over this newly formed alliance. As with the best of Douglas Sirk, Magnificent Obsession is loaded with drama and unashamed assaults on the viewers emotional fortitude. It is quite simply a weeper, a stress relief server for those so inclined. No bad thing that, though, just as long as the viewer is fully aware of the type of film they are getting. To only market it as a romance piece is something of a disservice because at the core it's one of redemption, where even religion is neatly threaded into the deftly assembled script. Technically it has a lot going for it, Frank Skinner's score is smoothly gorgeous, with Chopin's Études perfectly accompanying the blossoming romance, while the colour photography from Russell Metty is sensibly unobtrusive. Rock Hudson would jump on to the map with his performance here (proving he could act if given the meat to chew on), and Wyman would get Oscar nomination for her emotionally driven turn. All in all it's a film that's well worth watching, on proviso if you choose to be in that weeper frame of mind! 7.5/10
A private detective engages in a sexually-charged relationship with a real estate broker.
The Chemos and the Pachecos are two gangs whose adventures are witnessed by the doctor, the assistant and the social worker of a clinic where they know of the young men's problems.
Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.
An African prince decides it’s time for him to find a princess... and his mission leads him and his most loyal friend to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.
Featuring musical compositions of the late King Bhumibol Adulyadej, three love stories tackle unique challenges on romantic, soul-searching journeys.
Awkward teenager Charlie Bartlett has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice and, occasionally, medication, to the student body.
A man with economic problems get's involved with the mafia, but when he is asked to commit murder he refuses, which gets him in trouble with a drug lord, this brings nothing but problems to his son, who must now take control of the situation.
A professional race-car driver discovers that there are certain properties in his blood that will make him, basically, immortal. A dying multi-millionaire also finds out about the racer's blood, and is determined to get it to keep himself alive. This pilot film preceded the later TV series.
The film is based on the short story by Anton Chekhov. Gentlemen invited to tea by the local landowner, a retired major-General von Rebbeca.. Lieutenant ryabovich lost in the darkness, in the rooms of the old house, suddenly kissed a stranger.
Set in the world of NASCAR racing, a family racing team is in danger of being ripped apart by the rivalry between two brothers tempted by fame, money, and beautiful women.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
