The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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Deal or No Deal Island - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
The Cook Up with Adam Liaw - (Mar 26th)
Love and Hip Hop Atlanta - (Mar 26th)
Beyond the Gates - (Mar 26th)
Highway Thru Hell - (Mar 26th)
Caught - (Mar 26th)
Gannibal - (Mar 26th)
Million Dollar Secret - (Mar 26th)
Hyper Knife - (Mar 26th)
Frontline - (Mar 26th)
Dark Side of the Ring - (Mar 26th)
The Joe Schmo Show - (Mar 26th)
House of Knives - (Mar 26th)
Renovation Aloha - (Mar 26th)
The Last Word with Lawrence ODonnell - (Mar 26th)
Hard Quiz - (Mar 26th)
Night Court - (Mar 26th)
The Irrational - (Mar 26th)
The Rookie - (Mar 26th)
Se conhecêssemos tão bem o cinema português como o de outros países, talvez este "1.ª Vez 16mm" fosse o nosso filme de culto: o The Room português, que é ainda mais fascinante que a obra de Tommy Wiseau. Tudo correu tão mal, que nos states o filme de Rui Goulart foi considerado experimental. Mas não: entre tanta coisa estranha há que contemplar os simbolismos bizarros que polvilham todo o filme, a forma muito, muito deprimente com que o realizador lida com a história pseudo-autobiográfica que queria contar, e os constrangedores momentos de autocrítica, em que o autor goza/santifica - o espectador escolhe - os seus métodos de produção, que passam por enviar cartas para toda e qualquer empresa disposta a pagar uns cobres para aparecer durante uns segundos de película (vemo-lo a ir aos correios proceder ao envio desses pedidos), não pagar à equipa técnica e viver de filmagens dominadas por um constante..."improviso". E há muito mais, neste espécime de filme hilariante (cuidado para não se engasgarem), extraordinariamente mal feito (não há nada que se salve), e que foi uma das experiências mais perturbadoras que tive na minha vida. Preparem-se para um festival de nonsense acidental, (não encontrem respostas para nada em parte alguma desta fita), um daqueles acidentes que dá prazer ver do início ao fim.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
Finding himself down and out in Los Angeles, former porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop.
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The lives of two incompetent young men from Brooklyn spin out of control after a friend returns from Florida with guns to sell.
Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
Duanmu and Lingling uncovers a plan to create an army of mutated creatures to threaten society. As the U.C.P. struggles to stop them, a group of heroes uses elemental armors to fight back, while a larger conspiracy unfolds.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.
Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.