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He said he was out of bullets... The Outriders is directed by Roy Rowland and written by Irving Ravetch. It stars Joel McCrea, Arlene Dahl, Barry Sullivan, James Whitmore, Ramon Novarro, Jeff Corey and Claude Jarman. Music is by Andre Previn and cinematography by Charles Schoenbaum. Plot sees McCrea as Will Owen, the alpha male of three Confederate prisoners who escape from Camp Benton Stockade and promptly get recruited by one of William Quantrill's Bushwhacker units. Assigned to infiltrate a Don Chaves (Novarro) run wagon train that's carrying a fortune in gold, the men must deal with Indians, each other, and the hazards that the journey throws up. Out of MGM with some production value of note, The Outsiders rises above simplicity of story to unfurl a darn fine Oater. Narratively it has strengths, where Owen's moral conscience forms a spiky backdrop to plotting. Be it his views on the unsavoury tactics employed by Keeley's (Corey) Bushwhackers, and his place as the undercover leader leading the wagon train to doom, or the positioning of his feelings - and others around him - towards the female of the group (Dahl) and that of her teenage brother-in-law. Owen is definitely in emotional turmoil. From an action stand point the pic doesn't short change, with Indian attacks, internal fisticuffs and a rousing chase followed by the big siege finale, all of which are delivered admirably and scored robustly by Previn. The stand-out, though, is a high energy section of film that sees the group trying to get over a river at high tide flood level and is running a current of death! These scenes are expertly constructed and are of the breath holding standard. Yet the greatest part of the piece finds the group indulging in a square dance evening, where the men are blowing away the cob-webs with hooch, while the delectable Dahl holds court right in the middle. The sexual tension is palpable, the atmosphere electric, and as it happens, it forms a key part of proceedings. Tech credits are high as well, led by the the excellent capturing of the Utah locations by Schoenbaum, this is most pleasing on the eyes. Technicolor is perfect for such an airy Oater, the primary colours positively booming on the screen (check out the water and fire shots), while Dahl was made for such colour lenses. The aforementioned square dance sequences showcase her sexual beauty, with flaming red hair and glorious emerald green shoes acting as glorious crowns to a most appetising filling. Yes the story is soft, and anyone jaded by the formula of many 1950s Westerns should probably avoid this one - with most almost certainly knowing how it's going to pan out anyway. But there's so much to like here for me to suggest it's an undervalued pic and worth seeking out. Especially for McCrea and Dahl fans. 7/10
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
Retiring from a life of train robbing, Benjamin R. Jones takes over the ghost town of Stillwell, knowing full well that the property belongs to Molly O'Rourke. Enter horse wrangler Tom Mason, who smells a rat and does his best to unmask Jones as the crook he knows him to be. Molly at first falls for Jones' scheme, but confronts him when a general feeling of lawlessness sets in. The villain, alas, has an ace up his sleeve: Molly owes back taxes on her property, which is ripe for a takeover.
While moving a group of Apaches to a Native American reservation in Arizona, an American scout named Sam Varner is surprised to find a white woman, Sarah Carver, living with the tribe. When Sam learns that she was taken captive by an Indian named Salvaje ten years ago, he attempts to escort Sarah and her half-Native American son to his home in New Mexico. However, it soon becomes clear that Salvaje is hot on their trail.
Cowboy Ross McEwen arrives in town. He asks the banker for a loan of $2000. When the banker asks about securing a loan that large, McEwen shows him his six-gun collateral. The banker hands over the money in exchange for an I.O.U., signed "Jefferson Davis". McEwen rides out of town and catches a train, but not before being bitten by a rattler. On the train, a nurse, Miss Hollister, tends to his wound. A posse searches the train, but McEwen manages to escape notice. However a mysterious Mexican has taken note of the cowboy, and that loudmouthed brat is still nosing around. Who will be the first to claim the reward for the robber's capture?
A famous gunman decides to change his life around and turn himself in when amnesty is declared by the new governor of the New Mexico Territory, but a vindictive sheriff sets out to stop him from reaching the Territory.