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Ross McEwen - Valiant Gentleman. Four Faces West (AKA: They Passed This Way) is directed by Alfred E. Green and collectively adapted to screenplay by C. Graham Baker, Teddi Sherman, William Brent and Milarde Brent from the novel Paso por acqui written by Eugene Manlove Rhodes. It stars Joel McCrea, Francis Dee, Charles Bickford and Joseph Calleia. Music is by Paul Sawtell and cinematography by Russell Harlan. Ross McEwen (McCrea) robs the bank of Santa Maria but requests only $2,000 and issues an I.O.U. to the bank manager with the promise of paying back the money. The bank manager, aggrieved and agitated, puts a bounty of $3,000 on McEwen's head and quickly finds the law, in the form of Sheriff Pat Garrett (Bickford), aiding his cause. But McEwen is no ordinary thief, and as he makes his way across the lands during his escape, revelations and relationships will reveal something quite extraordinary. All the things are in place here for a conventional 1940s Western movie, with the robbery of a bank followed by a posse pursuit, a serious sheriff on the case, a pretty gal turning heads and some card playing of course. Yet this is far from being a conventional Oater. Old fashioned? Yes! Definitely, but it's a beautifully crafted picture that relies on characterisations - locations - and a story of such humanistic redemptive qualities; it demands to be better known. It has rightly been pointed out before that no blood is shed here, no bullets are fired; in fact bullets play a key part of the story for a different reason, but the action quota here is still very high. With blazing fire tactics used at one point and pursuits through the rocky terrain very much in evidence, the pic often raises the pulses. Tension is also provided by the efforts of McEwen to evade the attentions of the posse and the law, with some intelligent and believable methods put into action. The romance angle is also thoughtful and never cloying, given credence by real life lovers McCrea and Dee, while non white actors play South American characters without charges of stereotype or fodder being brought into play. With first grade black and white photography from Harlan (New Mexico Tourist Board done a favour here), unfussy direction by Green, and a quartet of great performances by the principal players leading from the front, Four Faces West (not the best of titles to be fair) is a treat for the Western fan. It may lack a "shock" outcome but it sure as heck fire casts off cynicism and makes you feel better about people in general. Bravo! 8/10
**_Warmhearted Western in the Southwest marred by contrivances and dubious acting_** An aged Marshal Pat Garrett (Charles Bickford) chases a questionable robber (Joel McCrea) through long stretches of New Mexico. On the way, the latter meets a lovely nurse (Frances Dee) and befriends a sympathetic innkeeper (Joseph Calleia). William Conrad is on hand as a sheriff that joins the marshal’s pursuit. “Four Faces West” (1948), also known as “They Passed This Way,” is a decent Western with stretches of lyrical beauty, hindered by the B&W photography (the magnificent locations mean very little in flat B&W). The warmheartedness is refreshing and Dee is winsome, but McCrea doesn’t know how to play an overly sympathetic protagonist, the proverbial good bad guy. Meanwhile Calleia lays it on a little too thick and his character comes across unbelievable. Speaking of unbelievable, the way the protagonist escapes capture on the train is “Why Sure!” territory. Yet the train sequence is otherwise well done. Another “Yeah, right” episode takes place in the last act involving a Mexican family. It runs 1 hour, 29 minutes, and was shot entirely in New Mexico, except for interiors done in Hollywood. The locations include: San Rafael, Alamogordo, El Morro National Monument near Ramah (Inscription Rock), Gallup, Red Rock Canyon State Park and White Sands National Monument. GRADE: C+
Hayden enters the lawless prairie in which criminals have had free reign to manipulate the innocent settlers.
A young Mormon couple is attacked by a bunch of outlaws. They kill the man and the woman is raped several times and left for dead in the desert. With the last ounce of her strength she gets to the hut of an old hermit who nurses her back to health and teaches her how to shoot. The woman then frees three female criminals and seeks vengeance on the outlaws.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.
Yukon Territory, Canada, November 1931. Albert Johnson, a trapper who lives alone in the mountains, buys a dog almost dead after a brutal dogfight, a good deed that will put him in trouble.
A former sheriff relentlessly pursuing the 7 men who murdered his wife in Arizona crosses paths with a couple heading to California.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.