Noda ban Nezumi Kozou

The film adaptation of Kazuo Kikuta novel "Kumo no Ue Dangoro Ichiza", which enjoyed great success at the performances of the Toho Takarazuka Theater at the end of the year. The troupe "Kumo no Ue Dangoro" continues to tour from town to village. The small cast of the troupe includes its leader (Kenichi Enomoto), Norizo (Norihei Miki) and Taizo (Mutoshi Happa), who play female roles - they are all super actors, each of whom plays five roles. Dan Goro dreams of performing in a major theater and tries to put on a big show with a young man he meets in Shikoku named Sakai (Frankie Sakai), but...

A teenage boy with possible self-harm behavior is allowed to use the school auditorium alone to record a video but after strange events and threats he has to gain control of both his mind and own destiny.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.

The play "Ehon Taikōki" was originally written for the puppet theater (Bunraku) and staged for the first time in 1799 in Ōsaka at the Toyotakeza. It was adapted for Kabuki the next year by Nagawa Tokusuke I. The play consisted originally of thirteen acts, one act for each day that passed between Akechi Mitsuhide's murder of Oda Nobunaga and his death at the hand of Toyotomi Hideyoshi. The tenth act is the only one which has survived. This act tells of an incident during the battle in which Mitsuhide was finally defeated.

Théophile, a successful writer, finally finds inspiration again. His new book shocks people, because many of his close friends recognize themselves in the characters.

In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.

Two actors perform a play without an audience.

Stuck in a depressing and mind numbing routine, Pierre decides to trade the sweaty atmosphere of the factory for the conditioned air of a hotel room. Locked up with three other tenants in a dreary and dim-lighted suite, he is forced into an idle and aimless lifestyle, no more fruitful than the mindless hustle and bustle he left behind — that is, until this oppressive dullness gives birth to an idea…