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I think sometimes it is important to remember that even 10 years after the war was over, there was still an appetite - even a neccessity - for war stories that celebrated (ok, and frequently embellished) the successes of the many ordinary folk who fought in the war. This film is one such story. Based on real events and characters it is nonetheless a drama. It does manipulate the facts a little; though the use of bouncing bombs - innovatively designed from scratch - well, with a little help from Napoleon - by Barnes Wallis (Michael Redgrave) to destroy three German dams on the Ruhr by a squadron led by Wing Commander Guy Gibson (Richard Todd) is fact. The film gradually demonstrates the frustrations as these devices are tested, of the dedication of those charged with delivering them and, of course, of the peril faced by the crews - many of whom were destined never to return. I saw this recently on television and the announcer apologised in advance for the "racist language" which i assumed referred to Gibson's dog. Strange it didn't see fit to apologise for the portrayal of indiscriminate death inflicted by both sides on the other. An odd, modern day irony only made possible by the exploits of the sorts of people and achievements this film sets out to commemorate.
A brother and sister learn their biological grandfather was a kamikaze pilot who died during World War II. During their research into his life, they get conflicting accounts from his former comrades about his character and how he joined his squadron.
Acclaimed dramatization recreating the incidents surrounding the 1971 revolt in New York's Attica State Prison that lasted for 23 days and resulted in the greatest casualty toll between Americans since the Civil War.
Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination on his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.
In 1942 the Germans devised an operation to introduce in Egypt spies to provoke a rebellion against the British.
A success-hungry lawyer finds himself unable to turn his back on a suspicious case involving a child who claims she murdered her brother.
On June 4, 1944 Captain Daniel Gallery and his men of the U.S. Naval Task Force 22.3 did the nearly impossible - they captured a German U-boat. It was the first enemy vessel-of-war captured in battle on the high seas by the U.S. Navy since 1815. Climb aboard the historic U-505 and relive its journey from a powerhouse of the German fleet to a display at the Museum of Science and Industry in Chicago. Witness archival footage and rare interviews with both German and American crew members involved in the capture of the U-505. And view even rarer footage of Captains Daniel Gallery and Harold Lange, captain of the 505 at the time of its capture..
Set in 1945 at the end of World War II. Saku arrives on Kakeromajima as the head of navy special forces. He is admired by the children on the island and he is interested in learning the island song as well as drinking with his men. Toe is an elementary school teacher on Kakeromajima and she has feelings for Saku.
The inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin' Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.