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Dead Space Downfall reduces its space horror aesthetic to a chunk of unpolished planetary rock. Back when Electronic Arts released the original ‘Dead Space’, I happened to download and install the demo. A thirty minute segment that highlighted the darkened horror and survivalist gameplay mechanics. That, well, was enough for me. Far too frightening and involving for me. So when I heard an animated prequel was released, my intrigue once again spiked and perhaps would illicit a fresh wave of adoration for the video game franchise. Sadly, it did the opposite, deterring me away from the games forever. A planetary flight crew discover an extraterrestrial monolithic marker that rapidly turn members into homicidal nightmarish creatures, meaning the remaining individuals must fight to survive. Thus begins the enduring battle against the animalistic Necromorphs. Yet beneath the blood covering the crevices of the Ishimura and the mundane brutality of limbs being severed, is an undercooked plot circling around faith. Followers of the Church of Unitology demanding to see the newly acquired holy relic, devotees oblivious to the chaotic harm that it has caused. Religious persecution, if you will. However the writers chose to subdue this interesting strand and instead incorporated a thirty minute montage of crew members being savaged by Necromorphs through some of the most bland, stilted and downright dreadful animation available. Over-textured blurry 3D CGI monstrosities that forced me to question if I had my spectacles on or not, never complementing the basic 2D character designs. The original ‘Scooby Doo’ series looked better than this, a cartoon created decades ago! The characters themselves had no personality injected into them and instead emanated hard talking shells. “Fight...or die!”. “I’m not a hero, just a man!”. The voice acting was nearly as tedious as a Bible reading powered by the emotionless tones of Tommy Wiseau. The blood, whilst insurmountable in terms of quantity, was too excessive and tame to be effective. If it wasn’t for the overburden of paranoia, mass hysteria and delusional grandeur, which can be contributing factors for deep space travel, this animated prequel would have nothing going for it. It’s just an ‘Alien’ ripoff, and about as dead as the animators’ sense for artistic quality. Just play the game instead.
While driving through the New Mexico Desert during a rainy night, college students Jim Halsey and his girlfriend Grace Andrews give a ride to a hitchhiker. While in their car, the stranger proves to be a psychopath threatening the young couple with a knife, but Jim successfully throws him out of the car. This sets off a chain of events that will change all of their lives forever.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars.
A weekend of camping in the mountains becomes an excursion into hell for a young couple, who become pawns in a grotesque plot hatched by deranged locals.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.
Two friends are watching a film and discussing an urban legend about a Mafia hitman in the neighbourhood.
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
Unites 8 Latin American filmmakers from countries such as Argentina, Brazil, Chile, Cuba, Spain, and Mexico in a single feature to count depict in seven stories some of the most brutal crimes that have happened in these countries.
A series of shorts about adventures of a man and his "willie". They are best friends and talk about everyday problems they face, like competition or women and their "kitties". Willie is a live talking character in this satire on sexuality.
