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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Critic by Adrian Perez Director Festival Lonely Wolf : "Her, life , the future..." by Zabaldu Naraé is a sensitively crafted and courageous exploration of endometriosis, a topic seldom explored in cinema. Naraé, herself affected by this condition, uses her personal experience to create a narrative that is both intimate and universally resonant. The film tells the story of a woman passionate about dance, whose life is profoundly marked by the struggle against this invisible and painful illness. What sets this work apart is how Naraé, with her background in costume design and stagecraft, weaves a rich and emotive visual narrative. The film uses dance not just to portray the physical and emotional pain of the protagonist but also her resilience and determination. Dance becomes a powerful metaphor for the protagonist's internal struggle, offering a visceral and deeply human experience to the viewer. The film poses difficult questions about the choices faced by those with chronic illnesses and how these impact their identity and passions. Naraé doesn’t offer easy answers but invites viewers to contemplate what choices they might make in similar circumstances. This experimental and reflective approach makes "The Unseen Dance" more than a film; it’s an invitation to empathize and understand a frequently overlooked reality. Naraé's direction is intimate and stirring, adeptly capturing both the beauty and brutality of the human condition. In a world where chronic illnesses are often rendered invisible, "The Unseen Dance" stands as a powerful reminder of the resilience and bravery of those living with them. It's a film that not only informs about endometriosis but also celebrates the strength of the human spirit in the face of life's toughest challenges.
Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.
Anika tries to win her husband Arman's love, but he still can't let go of his late wife, Leila. Can she compete with someone who's no longer alive?
After enduring an abusive relationship and unexpected pregnancy, Sofi starts a journey of self-discovery in search of happiness and inner peace.
Made for straight 8's 2019 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. This film follows two naked people who meet at a café, fall in love, and decide to dress each other in clothes.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
When the "Heart Eyes Killer" strikes Seattle, a pair of co-workers pulling overtime on Valentine's Day are mistaken for a couple by the elusive couple-hunting killer. Now, they must spend the most romantic night of the year running for their lives.
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Nicola, paralyzed after a car crash, falls in love for his physiotherapist Lucia. Franco and Manuela, a young couple unfit to have children, fly to Barcelona for a specialized treatment for fertility. Filippo and Fosco, two gay men, decide to marry. Ernesto, waiter in a chic restaurant, has a liaison with Cecilia, the new Spanish help.
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.