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_**Bringing in the sheaves stuck between a demon and an angel**_ During the Long Depression of the 1870-80s in Blackmore Vale, southern England, a peasant family discovers that they are nobility and thus their oldest daughter, an extraordinarily beautiful woman (Nastassja Kinski), is sent to meet the well-to-do family. She is eventually pitted between the interest of two very different men (Leigh Lawson and Peter Firth). Roman Polanski's "Tess" (1979) is based on Thomas Hardy's 1891 novel "Tess of the d'Urbervilles." Polanski was inspired to make the film because his late wife, Sharon Tate, gave him the book suggesting it would make a great film and she was interested in playing the title role. Unfortunately, it turned out to be the last time Roman saw his pregnant wife alive as she was heading back to the USA while he stayed in Europe to complete a picture. She was murdered by the Manson psychos on August 9th, 1969. This movie is dedicated to her during the opening credits. The two male characters are basically two sides of the same bad coin: one is amoral while the other is excessively moral. There is a scene in the book where Alec shows up to talk to the workers at harvest time wearing a cape with an upturned collar and carrying a pitchfork. The symbolism is obvious. Meanwhile Angel's figurative character is plain from his name. What's the point? Just as it's possible to be excessively bad, a person can be too good. The bible makes this observation in Ecclesiastes 7:16-18. They are two extremes and both have the power to destroy the lives of those they influence. To be expected, Angel eventually seeks to make things right whereas Alec arrogantly continues in his nonchalant amorality, which ultimately ushers in doom. The immutability of this is symbolized by Stonehenge. While a lot of people eventually swing to one extreme perspective/lifestyle or another, e.g. moralist, hedonist, atheist, most people are caught somewhere in the middle, uncertain and searching, like Tess. To enjoy this piece you have to brace yourself for a movie that has the confidence to take its time and tell its tale. You'll discover Victorian curiosities, pastoral mundaneness, beauty, lust, love, idiocy, humility, penitence, arrogance and tragedy. The film runs 3 hours, 6 minutes, with the original theatrical version running 2 minutes less and the DVD 2 hours, 52 minutes. It was shot entirely in France. GRADE: A-/B+
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.
Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.
It's a story of one night where estranged lovers Kartik and Vasuki end up meeting each other after 12 years under strange circumstances. Kartik is on a run for being a murder suspect. However, there is more than what meets the eye.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.