Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
Chris Jansing Reports - (Mar 6th)
Clean It, Fix It - (Mar 6th)
The Z-Suite - (Mar 6th)
Come Dine With Me- South Africa - (Mar 6th)
The Tucker Carlson Show - (Mar 6th)
Piers Morgan Uncensored - (Mar 6th)
Tour de Fred- Northern Ireland - (Mar 6th)
Paradis City - (Mar 6th)
Make It At Market - (Mar 6th)
Ancient Aliens - (Mar 6th)
The Nature of Things - (Mar 6th)
Family Feud Canada - (Mar 6th)
Four in a Bed - (Mar 6th)
Love Is Blind- Sweden - (Mar 6th)
Cóyotl, Hero and Beast - (Mar 6th)
The Thundermans- Undercover - (Mar 6th)
Rocky Mountain Wreckers - (Mar 6th)
Big Miracles - (Mar 6th)
_Halloween Ends_ is such a weird film, as a standalone movie I enjoyed it but in the trilogies totality it underwhelms and undermines. With each entry in this trilogy, the movies get farther and farther away from what Halloween is. With Ends there is no tension and no horror, there are some good kills but with nothing building up to it they felt stale. This movie also tears down Michael Meyers in a way that felt out of place in the trilogy. Halloween Kills built Michael up to be an indestructible force with the ability to withstand fire or multiple gunshot wounds, but in Ends that is flipped on its head making him weak due to the ending of the predecessor. It left me feeling like the writers had no idea what they were doing in developing this trilogy. The marketing of the movie was a total farce as well. It was building up to a final clash between Laurie and Michael, and while that does happen the majority follows a character that was just introduced (Corey Cunningham). Even though I really like the opening sequence and backstory to Corey, it had no place being centerstage in the final installment. Overall, this movie was slightly better than the sequel but still squanders the potential that Halloween (2018) had for the trilogy. If any more movies or trilogies are made in the future, please for the love of God hire a producer/writer to develop the entire series instead of piecing it together film by film. **Score:** _44%_ | **Verdict:** _Poor_
**Poor writing and a confusing story overshadowed a few shining moments and satisfying conclusions to character stories.** It’s so hard to choose whether I liked or disliked Halloween Ends. I enjoyed the resolution to Laurie Strode’s 40-year story arc and the hopeful journey for her granddaughter, Allyson. Even the final showdown between Jamie Lee Curtis and Michael Myers was satisfying, although the story didn’t build to the climax well. Sadly that is where the pros stop. The story was a convoluted mess that ignored all the build-up of the first two films and focused on a new character that didn’t matter to the overall story and didn’t have much impact on the film. As a result, Halloween Ends forgot what made its two predecessors successful and told a pointless meandering tale that had its moments but ultimately disappointed.
An unfortunate end, to a horror franchise, that started way back in 1978. Halloween Ends, is an inarticulate mess, that fails to build on past films. Instead, it delivers an incomprehensible story, that makes little to no sense, save that it brings the overriding story, to a somewhat confused, conclusion. On the upside solid acting and some tense, jump scare moments but really, its not enough. In summary, a reasonable cast in a poorly scripted film, that add's little to nothing that is meaningful, to the tale of serial killer, Michael Myers.
It's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world record for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
_Halloween Ends_ does provide what it promises and that’s a proper end to the Laurie Strode saga. However, the birth of a new rushed, hot-headed, and sloppier version of The Shape seems to take precedence only to be squashed before Laurie and Michael meet one last time. Entertaining at times and frustrating at others, _Halloween Ends_ is a bloody scenic route of a conclusion that is mostly satisfying despite its underappreciated albeit risky detours. Full review: https://hubpages.com/entertainment/Halloween-Ends-2022-Review-A-Square-Shape-in-a-Round-Horror
Well there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by some kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoever to the original 1978 introduction to "Myers" et al.
Okay, seriously, when is the real "Halloween Ends" be released? What I saw for the bulk was some lame CW-like story. I have to think at this point David Gordon Green and the writer crew are just pulling a prank. I half expected a post-credit scene with Impractical Jokers... I don't even know what to say. I had low expectations going in given how much I disliked Halloween Kills but Ends didn't even meet the lows of the lows. Really dumb. **1.0/5**
My favourite of the most recent three, if not of them all. 'Halloween Ends' gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming 'Halloween Kills' I thought this may fall further adrift but, happily, it doesn't. I think that I like this the most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) 'Halloween H20: 20 Years Later', but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly as all in all I had a good time with this. Let's hope they end this franchise here but I highly doubt that they will - gotta catch that £!
After a treacherous attack, Secret Service agent Mike Banning is charged with attempting to assassinate President Trumbull. Chased by his own colleagues and the FBI, Banning begins a race against the clock to clear his name.
A group of friends emerge from the darkness, bloody and lucky to be alive. Having already lost two friends in the marsh, they break into an empty vacation house to take shelter. Whatever was in the marsh is still after them, but it's not the only thing that wants them dead. Something much worse and more savage lays in wait.
Unexpected things happen when a murderer visits serial killer podcaster Mike Richmond to try to get a full show dedicated to himself.
Two youth counselors bring a group of emotionally troubled teens deep into the woods for a weekend of solitude and confrontational therapy. The trip turns deadly when they are terrorized by a cannibalistic hermit with a thirst for blood.
Alex Corvis, a man wrongly executed for the murder of his girlfriend, returns from the dead and sets out to find the real killer.
Professional driver, and former Special Forces officer, Frank Martin is living in Miami, where he is temporarily filling in for a friend as the chauffeur for a government narcotics control policy director and his family. The young boy in the family is targeted for kidnapping, and Frank immediately becomes involved in protecting the child and exposing the kidnappers.
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
When a prominent art dealer is found murdered, the man's death leads to an intriguing investigation steeped in sex, corruption and crime. District Attorney David Corelli gets assigned to the case and discovers that a key suspect is his ex-lover Katrina Gavin, a beautiful psychologist who has settled down with his old friend and peer. As Corelli gets deeper into the case, he uncovers dark secrets with far-reaching implications.
Tenacious homicide detective Cassie Mayweather and her still-green partner are working a murder case, attempting to profile two malevolently brilliant young men: cold, calculating killers whose dark secrets might explain their crimes.