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We were friends once, Sam. It's not easy to shoot an old friend. Bullet for a Badman is directed by R.G. Springsteen and adapted to screenplay by Mary & Willard Willingham from a novel written by Marvin H. Albert. It stars Audie Murphy, Darren McGavin, Ruta Lee, Beverley Owen and Skip Homeier. Filmed in Eastman Color at Universal City, with the exteriors coming from Zion National Park, Springdale, Utah, photography by Joseph Biroc and music by Frank Skinner (Joseph Gershenson supervising). Audie Murphy plays Logan Keliher, an ex-Texas Ranger who has to interrupt his peaceful life to strap on the guns again when ex-friend-turned enemy Sam Ward (McGavin) appears back on the scene with the intention of killing him. The animosity is strong from Ward on account that Logan married his ex-wife and raised his son as his own. The relatively short running time and the B movie production budget afforded it, doesn't give a clue to just how good, and how chock full of interest, Bullet for a Badman is. It's certainly very traditional in the old Westerns sense, before the likes of Anthony Mann and Budd Boetticher gloriously filled their Oaters with psychological themes, but there is much to enjoy here from a character perspective as regards the human condition. Jealousy, vengeance, greed, love, hate and redemption, all get a turn in the Willingham's screenplay. Mix in some good old style shoot outs and run-ins with the Apache, and film condenses a lot in such a short space of time. There's also some twists and turns that work real well in the narrative, leading us to a beauty of an ending. The male cast members work real well, especially Murphy who turns in one of his finest Western performances, while there's also a nice little support role for Alan Hale and snatches of stoic Western performers Ray Teal and Bob Steele. With most of the film set out in the wilderness, it's such a joy to see stunning location scenery expertly captured. The colour is not quite right to fully bring it to life, a shame since Eastman Color has had some great moments in Westerns, but Biroc belies the B movie production to please the eyes with the natural beauty of Zion National Park. Skinner's score is standard fare, and although the lady actors look pretty as pictures, that's about as good as it gets for them in this particular story. In spite of some usual iffy B production problems (poor stunt doubles, bendy props), this is still a little cracker of a Western. One that deserves a bit more attention now it's readily available on DVD. 7.5/10
James Kincaid controls the local water supply and plans to do away with the other ranchers. Government agent Sandy Saunders arrives undercover to investigate Kincaid's land swindle scheme, and win the heart of one of his victims, Fay Denton.
The third installment in low-budget producer Lindsley Parson's "Chinook" series, Snow Dog was ostensibly based on pulp writer James Oliver Curwood's 1915 short-story "The Tentacles of the North," which was also the working title. Kirby Grant again played Rod McDonald of the Canadian Royal Mounted, and once again the vehicle was stolen by his canine sidekick, the white malamute Chinook. This time, Rod and Chinook are tracking a mysterious white wolf, thought to have killed several of the local traders.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter.
Following the murder of her father by a hired hand, a 14-year-old farm girl sets out to capture the killer. To aid her, she hires the toughest U.S. Marshal she can find—a man with 'true grit'—Reuben J. 'Rooster' Cogburn.
After Drew Dixon, an upright young man, is sent west by his religious family to avoid being drafted into the Civil War, he drifts across the land with a loose confederation of young vagrants.
A thrilling Cavalry-versus-Indians adventure starring Jeff Chandler as an Army official recruiting Seminole allies, against his superior's wishes, to stop a planned Kiowa attack.
Buck Duane avenges his father's murder by gunning down the killer, but must flee from the law. He finds Ruth, whom he once loved, in the clutches of the outlaw Bland. In rescuing Ruth, he becomes entangled with Bland's amorous wife.
Wildcatter Jeff Dawson does his best to bring in a gusher in Mexico despite continual bandit raids. He asks for help from his ex-employer Ward Conway, but Conway, now married to Dawson's ex-lover Marina refuses, fearing that his wife will want to renew her romance with the other man.
GOOD FOR NOTHING is an adventurous romp set in the sweeping Old West from Mike Wallis in his directorial debut. Inspired by the Spaghetti Westerns and celebrating the Western genre with an interesting twist, the film follows an odd romance and the resulting emotional confusion of an outlaw who reluctantly develops strong feelings for a woman he has kidnapped.