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Night Fever. Gun Fever is directed by Mark Stevens and Stevens co-writes the screenplay with Stanley Silverman. It stars Stevens, John Lupton, Larry Storch, Maureen Hingert and Aaron Saxon. Music is by Paul Dunlap and cinematography by Charles Van Enger. It feels a bit churlish to criticize Mark Stevens' Gun Fever for its cheap feel and well worn plotting, for he clearly has respect for the genre. Apart from budget restrictions stymying his hopes for something more dramatically appealing, he's probably more hampered by his own decision to make a safe old traditional Oater. He relies on tried and tested staples in the hope of appeasing the masses, particularly with the standard "get revenge on the man who instigated the killing of my folks" storyline. The wind machine is permanently on, more so in the sound mix than actually blowing up a gale in scenes, so it's not a good sign that this is noticeable to viewers more so than what is actually on the screen. The Mexican character is played poorly by New Yorker Larry Scorch, and this is consistent with the all round average feel to the play playing out. However, Stevens and Enger manage to put a grim texture to the visuals, creating an earthy mud and rags look more befitting the real Wild West than the glossy Hollywood one. Sadly doesn't live up to the promise of its throat grabbing opening, and not one to recommend seeking out as a matter of need, but there's worse out there and it's not for Stevens' want of trying that it's no great genre offering. 5/10
_**“I'm a wrathchild; I'm coming to get you, ooh yeah-ee-yeah”**_ After a band of Sioux led by a sadistic white man (Aaron Saxon) wipe out a family at a stagecoach way station, the son (Mark Stevens) vows vengeance and goes after the man, not knowing that his pardner (John Lupton) knows the killer well. The lovely Maureen Hinger (aka Jana Davi) is on hand as Indian squaw, Tanana. "Gun Fever" (1958) is a B&W B-Western directed & co-written by star Mark Stevens. Despite the low budget and lack of color, this obscure lil’ Western exceeded my expectations. Whilst the story involves the hackneyed Bob Steele plot (young man seeks to avenge the murder of his loved ones), the execution is artistic with strong acting by the principles. For instance, Stevens (a Dean Martin lookalike) is a gaunt and powerful presence; Lupton too, just taller. The movie is dark and brooding with brief flashes of warmth, like a B-Western version of “Apocalypse Now” 21 years before it debuted. Don’t look for any comedy or goofiness; it’s realistic but generally grim with wind-swept landscapes and rolling tumbleweeds. A critic described “Gun Fever” as being “far from a good movie, but it’s interesting.” It’s a shame Stevens didn’t go on to greater success, but at least he had a respectable career in film & TV and we can continue to appreciate his contributions. The Amer-Indians are played by Caucasians, which was par for the course at the time since there weren’t many Native American actors roaming the streets of Hollywood. Just pretend they look more ‘Indian’ than they do. Regardless, the actors’ depiction of Natives is respectable and not laughable. The film runs 1 hour, 23 minutes. I can’t find information on where it was shot, but obviously it was one of several movie ranches in the Hollywood area. GRADE: B-/B (6.5/10)
Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries- and his fear.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime syndicates.
Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."