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This is a highly creative version of Snow White that looks and wounds exactly like an old silent movie. It was so well done that I was invested in the characters by the end and therefore somewhat disappointed by the finale.
This is a cracking silent film that sees the traditional "Snow White" story presented in monochrome and transferred to the arena of the toreador. Our heroine is "Carmen" (Macarena García) whose father was a renowned bullfighter "Villalta" (Daniel Gimênez Cacho) but on the day of her birth he suffers a double tragedy that leads him ultimately to marry his rather malevolent nurse "Encarna" (Maribel Verdú). Fortunately for her, "Carmen" went to live with her loving grandmother but upon her death she had to return to her ailing father and his rather brutal second wife. Her new life proves unbearable, so she flees to the forest where she encounters seven diminutive matadors who take her in, name her "Blancanieves" and, seeing that she has inherited some of her father's skill in the bull ring, anticipate making a fortune with her - sure she will be a great crowd-pleaser. The artistry involved here is stunning with the whole production design giving this adaptation a lovely richness as the sparing inter-titles keep us informed on just what is going on. Verdú is really quite menacing, in a sort of Dame Kristen Scott Thomas manner with a "sweet" smile that could strip the hide from you. The girl's mischievous yet kind forest friends add a delightful, and sometimes quite comedic, element of hope and fun to the proceedings and I actually thought, for a while at least, that there was a fair chance that Pablo Berger would amend the ending! The accompaniment has a lovely Spanish flair to it. Sometimes gentle, seductive, sometimes rousing and almost stormy, and it helps sustain the mood of this dark interpretation that is anything but Disney. If you ever get a chance to watch in a cinema, then you ought to take it - this is a celebration of Spanish culture that looks marvellous up on a big screen.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
Charlotte Baker is drugged and taken to a brothel by Paul, her fiance, who in reality is a pimp. To find her, Charlotte's family contacts the celebrated detective Bob Macauley.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Children's Souls Accuse You is a 1927 German silent drama film directed by Curtis Bernhardt and starring Albert Steinrück, Nathalie Lissenko and Walter Rilla. It was made with an anti-abortion theme.
An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.
The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.
Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.