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The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
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The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Babygirl 2024 - ()
Moana 2 2024 - ()
I was always more of a "Blur" fan than an "Oasis" one, but to be honest I'd forgotten completely why they had split up. This fly-on-the-wall documentary tries to fill in some of the gaps as it reunites the four members of the band who are going to record their first new album in decades and do a little mini-tour of some "intimate" venues before a couple of gigs in front of eighty-odd thousand people at London's Wembley stadium. The film is centred around Damon Albarn's home in the South West of England and as Graham Coxon (anyone else think he's turning into Dudley Moore?), renowned cheesemaker Alex James and Dave Rowntree turn up it seems that there's a lot of forgiving and forgetting going on. There's a conversational candour from all four about their demise as a band. They couldn't stand the sight of one another - hardly surprising after living in each other's pockets for years, but it's clear that there is still something compelling, addictive even, about their relationships that will either float or sink this ambitions project that is proving nerve-wracking even now, after years of performing. I could have been doing with more of their music, if only to remind me there was more to them than "Boys and Girls" and "Parklife", and I could have done with less of their political hypocrisy as they live in safe conservative parliamentary seats whilst espousing urbanite socialism - but when it comes down to it, they are just four formerly quite handsome guys (yes, I know that's reductive!) who knew how to put lyrics and music into a format that mischievously and vibrantly entertained on a stage and on a television at a time when music in Britain was undoubtedly suffering from a creative malaise that was crying out for something different, energetic and powerful. I liked the style of this documentary and I liked the very fact that it's an episode in the lives of these four, now quite different, men. What happens next is anyone's guess.
Before their 10th anniversary concert, Kalafina prepare for the show and reminisce.
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.
In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.
A musical odyssey that takes place in an uncertain time, RAPTOR is a short film from writer/director Marc Dickerson, with songs composed by Owen Byrne. It is a surreal journey into a comedic tragedy brought on by delusions of grandeur; and a story about the passion to create something new without knowing how.
Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.
"Bad Woman Blues - Beth Hart" celebrates the music and voice of a woman who enriches rock and blues with emotion, authenticity, and honesty.
A documentary film by Peter I. Chang which traces the life of the Japanese musician Hisao Shinagawa through his early years as a folk singer in Tokyo to his current occupation as a street performer in Los Angeles.
We explore the life of one of the 20th century's most charismatic performers. Bob Marley Bob Marley's renown now transcends the role of reggae luminary: he is regarded as a cultural icon who implored his people to know their history.
10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Put it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Get up stand up
TV documentary exploring the musical world of James Bond through interviews with key figures and discussion of work of David Arnold.
The duo performs at the Fox Theatre in Oakland, Calif.; songs include selections from "Blurryface," "Vessel," "Stressed Out," "Tear in My Heart," and "Holding On to You."
