Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
BBC medical editor Fergus Walsh examines the extraordinary ambition behind the Oxford-AstraZeneca Covid jab. Intended as a vaccine for the world, did politics get in its way?
In the racially turbulent UK of the early 70s, a group of black musicians came together in South London with a common love of rhythms and a message of peace. Cymande – with the dove as their symbol – combined jazz, funk, soul and Caribbean grooves to form a unique sound. Despite success in the USA they faced indifference in their native Britain, becoming disillusioned and disbanding. But the music lived on, as new generations of artists imbibed and reworked their pioneering sounds in fresh ways. From Soul II Soul to De La Soul, MC Solaar to The Fugees, the Dove had spread Cymande's message far and wide, prompting their return after forty years. This is their story.
Born in Portugal, Paula Rego is one of Britain's leading artists. This intimate film follows the artist from her retrospective in Madrid to the privacy of her studio in London while she talks with humor and candor about her compulsion to produce works that, though accessible, deal with the most private themes.
A Ghanaian fashion student and a Nigerian squash player are among the Africans making a life in 70s Britain.
1961 documentary about the history and seedy reality of the sex industry in London's Soho.
'Cultural Preservation' is a short documentary film which discusses the importance of community and how the development of gentrification can become a threat to it. With this film, Hussain looks at Whitechapel Road market in East London, one of the most popular markets in London and uncovers the reason behind this popularity. Through interviews with the public, he learns about the problems the community face within itself and with the changes to the area.
Emilia Fox and Britain’s top criminologist, Professor David Wilson, cast new light on the Jack the Ripper case. Together, they examine the Ripper’s modus operandi using modern technology to recreate the murder sites to help understand the extraordinary risks the Ripper took to kill his victims. Using the Home Office Large Major Enquiry System (HOLMES)—a bespoke computer system used by the police to help detect patterns in criminal activity—and evidence uncovered within the investigation, results strongly indicate another woman was, in fact, the first Ripper victim.
Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'