Cultural Preservation

The series examines the rapid rise of women's football across Europe as well as the challenges that remain, against the backdrop of a record-breaking UEFA Women's EURO 2022, which captivated audiences the world over last summer.

A look-back at popular French movie "La Boum" (The Party).

When a firefighter comes to your house, chances are that their lives were just like yours not too long ago. 70% of all firefighters in Canada are volunteers, meaning in most cases, they were just eating dinner, coaching a team, or even at their actual job. To raise awareness of the need for volunteer firefighters, "Answer the Call" will showcase the unique lifestyle of volunteer firefighters, and have them shed light on the risks and rewards of living a double life.

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

As the modernisation of London Underground continues, long serving A-Stock and C-Stock trains have been withdrawn from service, and their differing characters will slowly become a memory. London Transport Museum commissioned Geoff Marshall to record the transition between old and new trains.

This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.

The story of how the Satanic Panic of the 1980s was ignited by "Michelle Remembers", a memoir by psychiatrist and his patient. The book relied on recovered-memory therapy to uncover Michelle's abduction by baby-stealing Satanists.

Capital of Faith is a short documentary that addresses the reality of the new Brazilian Evangelical Church, illustrated with images of the Faith spectacle and the unusual Christianization through gospel culture. The film is a portrait of this militant belief experienced in the city of São Paulo, bringing tension between innovative conservatism and the contradictions of Corporate Christianity.

In 1976, a young punk lands in Natashquan. It’s the beginning of an unlikely love story between a small fishing community and this new arrival. Yet the relationship meets a brutal end when, three years later, the punk disappears without a trace. Forty years have now gone by, and the village of Natashquan is experiencing a slow, irreversible devitalization—one by one, villagers have been going missing. Those who tell the tale of the punk today see it as the story of a small community’s symbolic survival.