長七郎旅日記 はやぶさ天狗

A single bullet cuts through Kyoto in the last days of the Tokugawa shogunate right before the restoration of imperial rule. Who plotted to assassinate Tokugawa Yoshinobu, who is about to become the last shogun of Japan? Was it the faction wanting to overthrow him or the rebels within the shogunate? Mutual enemies Sakamoto Ryoma, the wandering samurai, and Hijikata Toshizo, a deputy leader of the Shinsengumi and vassal of the Tokugawa clan, receive a secret order to track down the culprit. They are given a mere two days.

The stormy tale of the Shinsengumi is told from its birth by master filmmaker Sasaki Yasushi, with an all-star cast based on the original story by Shirai Kyoji. The battles between the royalists and Shogunate supporters come to a fever pitch during the Gion Festival as the exclusionists plot to burn Kyoto and kidnap the Emperor. From its earliest beginnings as a group of ronin brought from Edo to protect the Shogun when he is in Kyoto to see His Imperial Highness, the group had to face difficulties both from within and without. Commander Serizawa Kamo's corrupt practices threaten the group's very existence, as they try to recover from the bad reputation he left them with. Their redemption comes when they learn of Katsura Kogoro plans to gather men at Kyoto's Ikedaya Inn for his attack on the city. Along with Hijikata Toshizo and Okita Soji, Kondo leads the group in an attempt to save Japan from the rebels.

Kichigoro, a firefighter from the Maeda family of the Kaga Principality, rescues Oshimo, the younger sister of Jirokichi, a city firefighter from the Ha-gumi group, from a samurai who is trying to kidnap her. Oshimo has feelings for Kichigoro. At this moment, a fire warning bell sounds in the city...

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

An Edo appointed official Baba must ensure the safe delivery of shogunate funds to Kyoto.

With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Kakunoshin Yanagida (Tsuyoshi Kusanagi) was a samurai, but he was forced out of the Han due to a false accusation. He then lived in poverty with his daughter Kinu (Kaya Kiyohara). Despite being poor, he never gave up his pride and honor that he held as a samurai. Even when playing the board game Go, which is his hobby, he always plays in a fair manner. Because of a case, the truth behind the false accusation is revealed. Kakunoshin Yanagida is shaken and filled with rage. He decides to take revenge, even if it means he will be torn from his daughter.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

Orphaned Kiku was raised at a Buddhist temple and learned theatrical arts and martial arts as a child, which were used to put on stage productions to raise money for the temple, but also to display young lads who were essentially for sale to the highest bidder. When Kiku gets fed up with how the temple uses the orphans and wants to leave he gets accused of a double murder and has to flee for his life and liberty.