Becoming Nawalny — Putins Staatsfeind Nr. 1

The multiple, award-winning television author Hubert Seipel, accompanied Vladimir Putin in Russia, over a period of many weeks. He not only conducted several interviews with him, but was also present when Putin shouldered judo opponents, or challenged his bodyguards during a game of ice hockey.

After his daughter is contaminated with an unknown poison gas and put into an induced coma, her father, a sports reporter, starts his own research to obtain a sample of the gas so that an antidote can be developed. The trail leads to Morocco, but a powerful organization tries to stop the father's efforts.

Released from prison, former oil oligarch Mikhail Khodorkovsky expounds on his newfound freedom and complex relationship with Vladimir Putin.

In the year 180 A.D. Germanic tribes are about to invade the Roman empire from the north. In the midst of this crisis ailing emperor Marcus Aurelius has to make a decision about his successor between his son Commodus, who is obsessed by power, and the loyal general Gaius Livius.

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

This documentary will provide the first authoritative account of who Vladimir Putin actually is. What drives him, what does he fear, who does he love and hate?

Since Russia was brought to its knees in the 1990s by crippling debt and the grip of the oligarchs following the collapse of the Soviet Union, Vladimir Putin has made it his mission to return superpower status to Russia. While not partisan to Putin's wrongs, this insightful doc examines the logic and motivations of Putin's vilified regime, and why he is so loved in his homeland.

Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

A documentary on the "Slovak Solzhenitsyn" Rudolf Dobiáš (*1934), political prisoner during the Communist era.

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.