生きてはみたけれど・小津安二郎伝

Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

A celebrity-filled look at the opening festivities for Walt Disney World in Florida.

We're at a tipping point in history, the hidden technology that could change everything has been suppressed for decades. Dr. Steven Greer presents mind-blowing information along with never before seen access into the crusade behind disclosure. Retired FBI special agent John Desouza, Aerospace Historians James C, Goodall along with Michael Schratt breakdown the implications of the cover-up, and the false UFO narrative created by the major media. How much does the President of the United States really know about the UFO phenomenon, and the Above Top Secret projects involved with exotic technology? Billy Carson presents the real motivation behind the major media, and the U.S. Military role out of the UAP phenomenon.

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

The world’s favorite dirtbike film series returns in 2016 with MOTO 8. Once again bringing the greatest riders in the game to the most epic locations, MOTO 8 gives viewers the most badass visual moto experience ever seen. From the biggest tracks in the world, to going 100+mph through the Australian outback, MOTO 8 continues the progression of filmmaking in the two-wheel world. It’s the roots of motocross, portrayed in the modern era: wide open throttles and massive jumps combined with helicopters and 4K cameras.

How did humanity's earliest ancestors evolve into one of the most successful species on Earth? An extraordinary journey tracing the footsteps of early hominids. Using the latest paleoanthropological findings mixed with the latest CGI from Square Enix, this story is finally told.