Malta

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

A drama set in the black communities of Colombia's Pacific coast, where a man looking to flee the country by boat encounters a local fisherman.

By applying all his knowledge in electricity and electronics, Raúl Tréllez, a bum who lives in the downtown streets of Bogotá, struggles to control the time of a red light so that jugglers, cripples and other homeless people can achieve longer shows in the red light corner.

Chronicle of life in a typical Colombian village where residents and visitors alike are induced by the soporific climate to lead lives of indolence. Not even the sight of cadavers floating in the river can shock them.

El Flaco returns to Medellin after hiding for some months in London because he was threaten. Things did not change much.

Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.

40 years old Vicente lives with his mother who wants him to get married with his boring girlfriend but he likes someone else more.

The children of a large landowner study in the city. The young girl travels on vacation to the countryside and there she falls in love with the finca manager, a relationship that the father rudely opposes. The brother leads a life of a bohemian university student until he meets a humble and beautiful worker who makes him know true love. The father does not admit this romance either: they are difficult loves whose outcome will be happy.

ATENTAMENTE is a film that, through the sensation of the time passing by and the presence of the death that wanders into a nursing home, allows us to feel the life through the illusion that love brings along. Libardo and Alba, a couple of elders who met each other at the nursing home where they live, they fall for, they become boyfriends and start to struggle in order to find fifty thousand pesos to rent a room for one night at a hotel so they can have a privacy moment, since at the nursing home where they live is not possible to have that. While struggling they must face each other, face their fears, their limitations, their pains, their time as well as their fragility so they can construct that moment in which they meet love. A struggle that seems to be easy, but for them is an odyssey against time, against their limitations and their own ghosts.

Ana Rosa was a pianist and the music was the only thing that went through the wall of silence. She was never talked about in the family, neither my father, nor my uncle psychiatrist, his children. But I was told many times that I looked like her.