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Regardless of your position on the rights and wrongs of this Israeli/Palestinian conflict, there is no other conclusion to draw here but that the ordinary families living on the West Bank are being treated appallingly by the Israeli state. To see little more than adobe one-room houses bulldozed and domestic water pipes sabotaged is little short of outrageous and no wonder the troops were doing their best to stop filming. This documentary focuses on the struggles of Yuval and Basel as they try to prevent the destruction of their community as best they can. Their's is a peaceable fight - they have no guns or rockets, nor do they advocate their use. They just want to get on with their subsistence lives in peace. People can always argue about the legalities of who got there first; who is supposed to have a claim on the land - and whose claim could/should or will take precedent, but for images like this to be seen around the globe is the equivalent of a PR disaster for the Netanyahu government and for it's credentials. Now, of course, this film makes no attempt at balance so what we are shown is very much as intended by the filmmakers, and that's designed to exemplify the attitudes of the settlers - and violent people at times these are too, so yes it can appear a bit one-sided, but when you send a squad of heavily armed troops, tanks and demolition personnel to a village for the sole purpose of destruction - not even of repurposing the buildings - then the moral argument is lost before it's even began. These young guys are sleeping under the stars staring an uncertain future in the face and those who wish to dispossess them clearly couldn't care less about what happens to them, their elderly parents, their young children - even their herds. If you take such an obnoxiously hostile attitude to people, then you cannot be surprised when that transposes itself into sentiment of hatred, rancour and resentment. People have been fighting over this land for millennia, surely it's time for the international community to impose a settlement that respects both communities? Naive? Pipe dream? Well maybe, but so long as the West continues to arm and re-arm the IDF and it's own legal system arbitrarily decides what to do with those of different faiths and heritages, then it isn't hard to wonder just how long these two young men will remain content to try to use social media and public opinion to alter events, and end up taking more direct means themselves. It's simply put together and all the more potent for that.
Regardless of how one views the ongoing volatility between Israelis and Hamas in Gaza, there’s another little-known yet equally explosive crisis in the region that has been going on for far longer. This nearly 30-year-old conflict has been quietly but unsettlingly unfolding on the Palestinian Occupied West Bank involving parties not tied to the better-known current conflict, a confrontation that has not received nearly the same level of attention – that is, until the release of this troubling film. Shot over the course of four years, the writing-directorial team of Yuval Abraham, Rachel Szor, Hamdan Ballal and Basel Adra have compiled this shocking documentary about the atrocities that have been relentlessly and mercilessly inflicted upon West Bank Palestinians in the Masafer Yatta region. This collection of approximately 20 small villages was summarily seized by the Israeli government (with the blessing of its courts after a 22-year litigation battle) to develop it as a training ground for tank regiments, an undertaking that has involved the demolition of existing structures and the displacement of the area’s residents, some of whose families had occupied their land for nearly 200 years. Many of those who resisted were forcibly removed, imprisoned or subjected to the heartless, uncompromising wrath of Israeli troops, responses involving bald-faced hatred, severe injury and even death. To make matters worse, the displaced have often had nowhere to go in the wake of these actions, some being forced to live in caves in the adjacent mountains. To be sure, locals have consistently fought back, and some have even attempted to defiantly rebuild the homes and schools they have lost, only to have their hopes dashed by subsequent rounds of sanctioned destruction. It should be noted, as indicated above, that these actions predate the Hamas attacks, so not even retribution can be used as a convenient or “justifiable” excuse for these actions. In light of that, then, can those who profess to be humanitarians realistically call themselves by that name in the wake of an immoral tragedy like this, no matter how much its execution may have been declared legally permissible? Indeed, where is the compassion, the fairness, the justice? This on-the-ground account of events unflinchingly documents this horrific situation, an inexcusable exercise in overreach between the two factions, one that’s impossible to rationalize in the face of vastly uneven odds and especially when the real, previously undisclosed basis behind this land grab is disgracefully revealed. This scathing chronicle, primarily filmed by Palestinian activist Adra and Israeli investigative journalist Abraham, shows the degree of atrocity that has been unleashed in the area, as well as what’s conceivably possible when individuals from two opposing backgrounds begin working cooperatively to expose what’s happening and to concertedly look for a workable solution to stop this inhumane, indefensible madness. “No Other Land” is not an easy watch by any means (sensitive viewers take note), particularly in light of its graphic depictions of violence (some of which, in all honesty, become somewhat repetitive after a while, what some might arguably characterize as overkill). Nevertheless, this Oscar nominee for best documentary feature shines a very bright light on this wholly unacceptable act of barbarity, one that any supposedly civilized society should be completely ashamed of, especially now that the whole world is watching.
A heartwarming portrait in hell. I feel as though this is a cool war movie with likeable characters constructing sweet shelters and surviving in horrible conditions. The unfortunate reality is overwhelming.
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.
A documentary in which Luca Ragazzi and Gustav Hofer research the origins of sexism in the west and in Italy, the land of Berlusconi, Mussolini and Casanova, a nation with 887 words to say "penis".
More than 60,000 of Ernest Cole’s 35mm film negatives were inexplicably discovered in a bank vault in Stockholm, Sweden. Most considered these forever lost, especially the thousands of pictures he shot in the U.S. Told through Cole’s own writings, the stories of those closest to him, and the lens of his uncompromising work, the film is a reintroduction of a pivotal Black artist to a new generation and will unravel the mystery of his missing negatives.
Film produced for a coalition of public service groups to combat racial and ethnic hatred. The narrative follows an emotionally insecure Chicago teenager whose bigoted thinking leads him to violence. Explores how prejudices are passed like "a contagious disease" from parent to child, teacher to pupils, and youth to youth, and suggests strategies for breaking the cycle.
A historic three-day race riot erupted in two African American neighborhoods in the northern, mid-sized city of Rochester, New York. On the night of July 24, 1964, frustration and resentment brought on by institutional racism, overcrowding, lack of job opportunity and police dog attacks exploded in racial violence that brought Rochester to its knees. Combines historic archival footage, news reports, and interviews with witnesses and participants to dig deeply into the causes and effects of the historic disturbance.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.