Gaza Fights for Freedom

'Ink and Gold: An Artist's Journey to Olympic Glory' is a short form documentary that follows the journey of New Zealand artist and athlete, Zakea Page, winning the Lausanne 2020 Youth Olympic Games medal design competition and fulfilling a lifelong dream to perform at the opening ceremonies. The film was shot over the course of one week in Lausanne, Switzerland, at the 2020 Youth Olympic Games and weaved together with self-taped footage of Zakea's younger years as an athlete and artist. Accompanied with interviews of his family, 'Ink and Gold' highlights the connection between art and sport in bringing together peoples of diverse cultures and backgrounds to bridge barriers of language and foster connections, mutual understanding, and respect for one another.

The Bahraini singer "Khaled Al Shaikh" is synonymous with musical innovation, earning him numerous awards. This film follows his creative journey from his early days as a student at Kuwait University. We trace Khaled Al Shaikh's path from Kuwait University, where he initially studied economics and political science, to the music institute in Egypt. After leaving university to pursue music, we follow his years of fame and struggles.

Follow the tender and fascinating life of Mallory B. Winstead, the fearless and visionary army veteran and family man.

The multi-generational story of women’s football in South Africa through the ambitious Mamelodi Sundowns FC. The film follows the team as they battle it out at the inaugural CAF Women’s Champions League in Cairo.

An international tech entrepreneur with a fondness for architecture asks Rem Koolhaas to build a house on an impossibly small piece of mountainside in Zell am See in Austria. The architect of the celebrated book S,M,L,XL seizes the challenge: how to draw light into a house less than four metres wide that is mostly underground? Photographer and filmmaker Frans Parthesius followed the building process and offers insight into Koolhaas’s way of working and the special relationship with his client.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.