Some Saturdays

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Kesse is a third generation fisherman, living in a small coastal town in Northern Jutland. Life trudges along without surprises, but all this is about to change. The fishing industry is hit by financial crisis and the small fishing boats are swiftly put out of competition by big corporations. In desperation, Kesse tries to find a way out of his hopeless plight and has to resort to dishonest means, on top of having to fire his best friend and lone employee. As if this wasn't enough, he gets an unwelcome guest on-board in the form of marine biologist Gerd from Copenhagen, sent to study the fishing. Søren Balle's debut feature is a funny and touching film about love, friendship and the difficult art of dealing with change.

Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.

On a fishing boat at sea, a 60-year old man has been raising a girl since she was a child. It is agreed that they will get married on her 17th birthday. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard.

After stealing a fortune in unclaimed jewelry, ex-detective Barney Rickert arrives at a run-down dude ranch in Arizona to hide out. When the owner, Dewey Hoople, refuses to sell the land to Rickert, he proceeds to win over the female inhabitants by seducing them one by one which leads to one refusing his advances and a dangerous game played out in which Rickert ruthlessly sets out to get what he wants.

A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.

Five different criminals face imminent death after botching a job quite badly.

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.