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**_Wannabe late 60’s cult flick is a tedious mess with not enough highlights_** A chubby debutante (Holly Near) returns from school in Europe to her lousy filthy rich parents in Beverly Hills (Jennifer Jones & Charles Aidman). At her coming out party she falls for the charms of a charismatic rock star (Jordan Christopher) and he & his group proceed to move into the mansion and manipulate the family with their ‘hip’ drug-addled nonsense. The band members are played by Lou Rawls, Roddy McDowall and Davey Davison. "Angel, Angel, Down We Go” was released ten days after the Manson Family murders in August, 1969, but understandably failed at the box office and so was retitled & rereleased the following year as “Cult of the Damned” with an ad campaign that capitalized on those infamous hippie murders. It was written & directed by the scripter of “Wild in the Streets” from the previous year and so there are similarities, but this is the lesser film. The comparable "Beyond the Valley of the Dolls" came out the following year and it’s just all-around more entertaining if you want an amusing taste of the late 60s, but both flicks are marred by too much fruity twaddle, if you know what I mean. Thankfully, there are at least a handful of legitimate laughs to be had here. Speaking of which, I can’t believe some people describe this movie as “unintentionally funny” because, trust me, it’s all intentional. The opening scenes advertise beyond any shadow of doubt that this is a comedic take on counterculture nuttiness, at least in the satirical sense. It’s also noticeably stagey and sometimes surreal, but there’s some decent late 60’s rock in the mold of The Doors mixed with The Mamas & the Papas. Despite some amusing or interesting bits here and there, the story simply isn’t compelling as a whole. It starts witty enough, but bogs down in the first 15 minutes with focus on Holly Near’s character and she’s just not an interesting person IMHO. Once the ersatz Jim Morrison enters the picture things perk up but the proceedings bog down again at the Steele estate with random happenings and dull, spacey dialogues. A couple of skydiving sequences are thrown in, but who’s looking for that in a flick like this? As for the post factum tie-in to the Manson Family slayings with the title change and a new tagline claiming “Drugs, thugs and freaked-out starlets, ritual murder and cannibalism, dedicated to the proposition that all men are created evil,” it’s mostly false advertisement. I suppose the Bogie-led band could be viewed as a mini-cult of sorts, but there’s no ritualistic murder or cannibalism, merely “If it feels good do it” libertinism and self-damnation. If I’m in the mood for zany 60’s youth entertainment, I’ll go with "Lord Love a Duck,” starring Roddy McDowall, or even “Village of the Giants.” If I want something serious, I’ll go with “The Wild Angels,” “Easy Rider” or “Billy Jack.” The film runs 1 hour, 33 minutes, and was shot in Beverly Hills and Santa Monica with studio stuff done in Culver City. GRADE: C-
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
A narcissistic TV weatherman, along with his attractive-but-distant producer, and his mawkish cameraman, is sent to report on Groundhog Day in the small town of Punxsutawney, where he finds himself repeating the same day over and over.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
