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**Mediocre.** This is another of the films that Errol Flynn made during the 50s, a decade that corresponds to the physical and artistic decline of the actor. Increasingly sidelined by American studios, he settled in Europe. This film was filmed in France, and is the result of a partnership between Flynn and director William Marshall, with much of the script written by Flynn himself. The story is a romantic drama set in New Orleans, during the years preceding the American Civil War, and shows the downfall of an important and wealthy family in the city. It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle. Of course, she's a smart, ambitious woman, and none of the men realized that. The script has some good aspects, but overall it is very weak. The basic idea is good: a cunning woman, who uses various tricks to get where she wants, climbing an arduous social ladder dictated by money and family prestige. The character building also works decently: the three central characters (Lea, George and Fabian) are rich and psychologically elaborate. But the virtues of Flynn's text end there. His writing is excessively erratic, failing to create a uniform thread of logic. For example, it makes no sense for Lea to return to George after him, for fear of accusing himself, almost letting her be hanged, and it makes even less sense for her to say she is so in love with Fabian. His actions are also illogical: we never understand why he is angry with the Brissacs, or why he buys the tavern. The cast features well-known names. Personally, I think Micheline Presle is the actress who deserves the most applause here, with a very consistent and intense interpretation of her character. In addition, she has a pleasant French accent that fits well in a film that takes place in a former French colony like Louisiana. Vincent Price also delivers a good dramatic performance, albeit a relatively restrained one. Agnes Moorehead barely appears on the scene. As for Flynn… if he had the idea of being the protagonist, he ended up becoming, in practice, a mere supporting actor in his own film. Technically, the film has fairly regular cinematography and some good sets. The costumes are equally interesting, if not really remarkable. The characterization work is mediocre, though, and aside from some fire and explosions, there aren't any major effects to consider. The soundtrack is also very weak and the film's title is wrong.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
An alien and a robot land on Earth after World War II and tell mankind to be peaceful or face destruction.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.