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Sharkunami Gone Barmy! When a tsunami traps shoppers inside a coastal Australian supermarket, their survival prospects are reduced even further when Great White Sharks find their way into the area. It's as nutty as it sounds, a bonkers but wonderfully genius premise is played out with "B" movie heart and a smile on its face. Standard rules apply, there's a myriad of characters who are in need of redemption or reconciliations, and of course it's a time for heroes and villains to thrust themselves forward. Action and suspense is never far away, and neither is blood! There's even some humour to be found, especially with a bickering couple of teenage lovers. Some of the CGI is poor and as is the norm with this type of film, there's daft scenes that ask you to just roll with it. If you can do that then there's a good time to be had here. 6/10
Not a bad Shark horror film, since Jaws. The Aussies never disappoint.
**Bait isn't groundbreaking or particularly impressive but slightly edges out typical low-budget shark flicks with a creative setting.** Bait's concept and setting bear similarities to 2019's alligator thriller Crawl. A tsunami traps a small band of survivors in a flooded underground supermarket with hungry man-eating great whites. The quality doesn't rise to the level of The Shallows or Crawl, but it's pretty solid for a non-Hollywood 3D low-budget film. I was expecting a goofy shark film with dreadful performances (which I love) and was surprised by something a little better. Don't get me wrong, it isn't a gold standard for anything, but in a subgenre built on low-budget cheesiness, Bait shows a little more effort than most.
Next time you hear that your local supermarket is having a snap sale - think twice! These folks found themselves shopping for eggs one minute, then they are trapped by an enormous tsunami wave where the aisles have swapped their wayward trolleys for an hungry great white shark. Fortunately, one of their number stuck atop the shelves is "Josh" (Xavier Samuel) who used to be a lifeguard. Now he works in the shop too, so has even more extra specialist knowledge. Not so luckily, he has baggage and his ex-girlfriend, her new boyfriend and some some other unsavoury types who all need preserving from "Jaws" little cousin to deal with too. What follows is straight out of the "Janet and John" book of apex predator stories. You know somebody will get eaten, somebody will get mauled and of course, hopefully, the hunky hero will save the day before... The production is what really let's this down. Not that the acting will ever be troubling an Oscars jury, but the dialogue is banal and the visual effects frequently look like some CGI from an ordinary bath tub. The sharks deserve every meal they can get - but to be fair I'd have fed them those behind the camera before the "bait" they are actually presented with. It's typical sci-fi channel fayre. By no means the worst of the genre, but still pretty chewy.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Two guys and a female hitchhiker are terrorized by a monstrous looking man driving a giant monster truck.
Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.
A collection of fake snuff (people REALLY being killed) clips from different directors. The producers claim it's so realistic they were actually investigated by the FBI and Crime Scene Investigators who thought one of the murders was the real thing.
Martin Brundle, born of the human/fly, is adopted by his father's place of employment (Bartok Inc.) while the employees simply wait for his mutant chromosomes to come out of their dormant state.
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
Premutos is the first of the fallen Angels, even before Lucifer. His Goal is to rule the world, the living and the dead. His son should pave the way for him and appears arbitrary throughout human history and is then recognized as some kind of monster. In the present time, a young man living in Germany begins to suffer from visionary flashbacks - of the lives he lived in the past as Premutos' son! He remembers how he appeared in the middle age, when mankind suffered from pestilence and during WWII in Russia. On his (earthly) father's birthday, a case containing some strange old book and a yellow potion is found in their garden, which was hidden by some peasant in 1943, who experimented with witchery in order to re-animate his deceased wife. Whe the young man gets in touch with the book and some of the yellow potion, he mutates into a monster and awakens an army of zombies, ready to bring back the fallen Angel Premutos and to disturb the little birthday party