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The Last American Vagabond - (Jan 18th)
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**A very dated and unsatisfactory film, which carries a rather naive message about war and conflicts.** This is one of those films that promises a lot when we read the synopsis, but ends up being disappointing: in its attempt to please different audiences, from sci-fi to drama and also action, it fails to satisfy anyone and I believe it was this feeling, more or less general, that led it straight to the oblivion bin where I found it. Released in the golden age of sci-fi, when the genre experienced a very notable development and popularity, the film has a relatively warm story and begins with a war between humans and a reptilian alien species called “drac”. We follow the combat between two spaceships in a remote part of the universe until they both crash on the same planet. From here on, in order to survive, both will have to collaborate with each other, which opens the door to dialogue and mutual understanding. I can understand what makes some people appreciate this film or want to see it: it has some good quality action that Wolfgang Petersen's solid direction emphasizes and enhances, and a script with a flowery and progressive message about prejudice and the importance of having a frank and open dialogue. That is, the film still comes in the aftermath of those ideas of peace and love from the 70s, where it seemed that all wars could end if there was a willingness to talk and understand whoever was on the opposite side. However, neither the script nor the director are flawless: the film is excessively slow and has a variable and inconstant rhythm, we feel that it wastes time with a sentimentality worthy of a soap opera and injects a lot of melodrama without any advantage, like those people who stay for ten minutes talking before getting to what matters. With all this, the action, although good, is scarce and does not justify the film for fans of a good space fight. And the message of peace underlying the script forgets that all wars begin due to conflicts of interest, not exactly due to a lack of dialogue and mutual prejudices: I can understand my enemy very well and think that war is horrible, but decide to fight anyway if consider that I have a good chance of winning and, thus, have access to an advantage or gain that I would not be able to obtain otherwise. Despite Dennis Quaid's sound and fame, the best actor in the film is Louis Gossett Jr., in an alien costume. The actor is not brilliant, he is average, but he manages to be incredible in the role, especially when he has an immature and charisma-free scoundrel like Quaid at his side. I've seen a few movies with him, and what he does here is essentially overact it and look stupid. Brion James deserves an honorable mention for the skillful villain he brought to life, but he adds little to the film. Technically, it fits into the broad spectrum of mid-budget sci-fi films from the 80s: we have decent enough cinematography and some creatively invented aliens, to which must be added some good special effects. The general appearance is old: it is a visually very dated film and the sets and costumes, although effective, are unable to appear realistic. The sound isn't bad, but the soundtrack doesn't do much for the overall work.
Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain.
1991. Harrison Lloyd, a renowned photojournalist covering the war in Yugoslavia, is reported missing. Sarah, his wife, convinced that he is not dead, decides to go to Bosnia to find him.
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.
A one-track-minded teen stumbles into something out of this world while searching for condoms in his girlfriend's brother's car.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
A pair of space rangers must rescue the Princess of Earth from the ultimate villain after receiving an urgent plea for help.
In this story set in near future, a group of young rebels, hippies and 1968 protesters want to cede and make an independent Island from the Mainland. A journalist who came to the Island to make a report about political summit that takes place there gets involved in the clash between young rebels and establishment.
This short celebrating 75 years of Batman from artist Darwyn Cooke returns fans to the world of Batman Beyond as Terry McGinnis' futuristic Dark Knight faces his most formidable foe of all - himself.
A man who has a body almost completely covered in tattoos is searching for the woman who cursed him with the "skin illustrations". Each tattoo reveals a bizarre story, which is experienced by staring at the scene depicted. When the illustrated man meets a fellow tramp on the road a strange voyage begins.
A team of American astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.
Clear Skies follows a trio of down-and-out misfits who've seen no end of bad luck. John Rourke is the obstinate captain of the Clear Skies, a Tempest class battleship manufactured by the downtrodden Minmatar race of New Eden. Rourke's attitude toward his hazardous chosen lifestyle is cavalier, although this does not sit well with his friends among the crew.