Silencio Subyacente

Aurora and Bernardo are experiencing moments of happiness, but their joy is interrupted by the onset of war.

Lucas and Mateo are brothers and have a distant and somewhat conflictive relationship. What seems to be just another morning becomes the beginning of a new stage in their lives. When they wake up, they notice that their mother is not at home and they wait for her to return, but that moment will never come.

Remembering his old memories, he will leave a photograph in every place where he was happy.

The Argentine crisis of 2001 is about to explode. Felipe, 13, sees how his family environment is cracking due to the economic and political pressures. Misunderstood, he falls in love with Lucía, the neighbor next door and for a moment he stops feeling alone. But when external violence becomes a real danger, Felipe escapes with her, fed up with the lies of his parents, leaving behind his innocence.

Victor, a retired Argentine lieutenant from the Falklands War, is hospitalized as a result of catatonia. Through a dreamlike and dark journey, he goes into the darkness of his mind, where different ghosts from his past won't leave until they are satisfied.

Based on the lives of four boys, all of different social classes and psychological makeup, this film tries to reflect through them the political history of Argentina during the years leading up to the Malvinas War.

"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.