El Protocolo Mutazion

The Argentine crisis of 2001 is about to explode. Felipe, 13, sees how his family environment is cracking due to the economic and political pressures. Misunderstood, he falls in love with Lucía, the neighbor next door and for a moment he stops feeling alone. But when external violence becomes a real danger, Felipe escapes with her, fed up with the lies of his parents, leaving behind his innocence.

Remembering his old memories, he will leave a photograph in every place where he was happy.

Humberto, a seductive con artist, lives a quiet life in Madrid after having done his time for a big job that cost him his relationship with his son Jorge, who reaches out to him for help when the jewellery where he works is robbed.

Lucas and Mateo are brothers and have a distant and somewhat conflictive relationship. What seems to be just another morning becomes the beginning of a new stage in their lives. When they wake up, they notice that their mother is not at home and they wait for her to return, but that moment will never come.

An ex-combatant is admitted to a psychiatric facility due to what happened in the Falklands War. During his stay in that institution, he will find a purpose to fight against the treatments that tend to harm him.

Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.

A detective must face his past to solve the crime of the present.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.