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A moving picture! I pretty much went into the cinema with 'That They May Face the Rising Sun' totally blind in terms of what to expect, just the way I like it mind you. All I knew was that it was outta Ireland and based on a book, which I evidently hadn't heard of. I'm pleased to say what greeted my eyes was a very splended movie. The story is simple, one that holds no bells and whistles. I don't mean that in a negative way whatsoever, as it is the film's greatest element. It's all very grounded, which allows the acting talent to shine. Though, the cinematography is exquisite. It is also paced to perfection, in that regard I was kinda caught off guard when the credits appeared! Barry Ward and Anna Bederke are the cover stars and are worthy in their roles of Joe and Kate, I enjoyed them both. However, those behind them are the standouts for me. Lalor Roddy is fantastic as Patrick, so much emotion (and humour!) delivered from him throughout. Brendan Conroy does a lot with relatively little, similarly (first time actor, so I read?!) Phillip Dolan and Sean McGinley (esp. at the end). It's all extremely touching. Safe to say, I'd highly recommend this!
There's something very potent about the Celtic habit of understating things. A few choice words, a bit of sarcasm or invocation of nature or, occasionally, religion coupled with some perfectly judged facial expressions or shrugs! It can be used to really good comic effect and to illustrate entertainingly just how folks live their lives and deal with death. "Joe" (Barry Ward) and wife "Kate" (Anna Bederke) live in their rural home where he is trying to put together his latest book and she juggles her time between running a gallery in London and living the dream amidst a remarkably dry Ireland. The film essentially plonks us in their home for a few days as we watch a variety of local souls pop in for tea, whiskey and chat. What's quite striking about this community is the lack of the young. Everyone here is nearer the end than the beginning, and with the vacillating character of "Patrick" (Lalor Roddy), the returning from Britain "Johnny" (Sean McKinley), his brother "Jamesie" (Phillip Dolan) and the curmudgeon that is "Bill" (Brendan Conroy) making up the characterful sextuplet of regulars we are presented with a glimpse at a perfectly plausible day in the life sort of thing... The "Patrick" character is probably the most interesting, flawed and decent, angry yet caring; but the others all fit into this sympathetically filmed jigsaw puzzle of what goes around comes around nicely. Don't expect lots to actually happen, but do expect to smile quite a bit and think a little, too.
Pat Collins’ first narrative film largely, refreshingly, lacks a conventional narrative. Adapted from John McGahern’s final novel, it reveals the director’s considerable skill with both sight and sound, a fine cast, and a surprisingly explicit wink to Ozu. Collins lovingly frames a hallowed rural Irish community of a half-century ago, whose religion and traditions provide order, and hope, but are nevertheless already significantly hollowed out. Indeed, for all of the film’s prose-tinted passion, it has an unmistakably funereal feel. Its people, and those like them, are buried in their stony grey soil, the bones on which today’s Ireland are built. [For more on McGahern, see his entry in _The Dictionary of Irish Biography_ at https://www.dib.ie/biography/mcgahern-john-a9414.]
A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail.
An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
Ray Kinsella is an Iowa farmer who hears a mysterious voice telling him to turn his cornfield into a baseball diamond. He does, but the voice's directions don't stop - even after the spirits of deceased ballplayers turn up to play.
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.