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Romero lines up the Bush administration for à la carte eats. Land Of The Dead is directed & written by George A. Romero and it's the fourth film in his Zombie based series of films. It stars Simon Baker, John Leguizamo, Dennis Hopper, Eugene Clark & Asia Argento. Human society has regrouped and formed a new community in a sealed off section of America. Run by a feudal government headed by Paul Kaufman (Hopper), the state survives on supplies garnered from the outside world by Riley (Baker) and his "Dead Reckoning" team. But during one of their raids they notice that one of the Zombies, Big Daddy (Clark), is starting to show signs of human awareness. After the emergence of the Dawn Of The Dead remake in 2004 and the plaudits heaped upon zom-com Shaun Of The Dead also in 2004, one question immediately sprang to the minds of zombie fans, "could Romero, the don of the dead, be stirred into a new entry in his already heralded series?". Yes was the joyous answer to that, and although a torn ligament down from previous instalments, the great news is that Land Of The Dead rocks with gore and politico fervour. Naturally a lot has changed in the world of zombiedom since Romero's last venture in 85, but he manages to tonally keep the old fashioned feel while observing the unsteady social climate that was seeping from the wounds in 2005. By his own admission he is taking pot shots at the Bush administration, while Hopper, on delightfully excessive form, deliberately channels Donald Rumsfeld. From fireworks in the sky bringing conformity, to class division down on the turf, Romero as always has something to say. The cast are a solid and energetic bunch, with Baker pleasingly coming up trumps as a hero type, while gore hounds are very well served here as George finds new and inventive ways of delivering the ick (one "head" sequence is genius). Sure there's a suggestion that the central idea of the zombies getting smarter is kind of going off tangent, but since he wrote the rules, he's also allowed to change them. But with this ending here it offers hope, not just in this skew whiff world he's created, but also of further film's to come. And that maybe is a touch too far? 7/10
Not the best zombie movie I ever seen. It is ok. It takes a few times of watching it to really get the whole concept of the movie. Could have made the storyline a little better. Hey really all that matters is that theirs a lot of killing zombies and zombie killings happening.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
When former Green Beret John Rambo is harassed by local law enforcement and arrested for vagrancy, he is forced to flee into the mountains and wage an escalating one-man war against his pursuers.
Flying Saucer Rock N Roll is the debut feature film from the father-son duo Eric and Joe Callero. The year is 1957 as a group of rockabilly and beatnik teens are visited by weed smoking Martian zombies who have come to take their earth women. Filmed with respect for classic horror films and full of laughs as the viewer is taken on an adventure like no other.
A home invasion goes awry when the owner returns showing signs of an unprecedented illness. As he gradually morphs into something monstrous, the intruders desperately plot their escape.
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
